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WATERWAY, TO SING THE SPACE
Orel Tomáš, Jakub ; Šejn, Miloš (referee) ; Helia De Felice, Jennifer (advisor)
The way of the Jedovnice creek: connection with the spring Falling into the underground halls and back to the light. The Water Way is an intermedial poem that is concerned to the element of water, character of its way through the landscape and its presence in the landscape. Since the type of work I most prefer is the work in the landscape, I am returning back to the natural landscape, strong places in Moravian karst near Brno. The audiovisual poem is primarily focused on the moment of melting. Sublimation of ice from the ice shelter, ephemeral phenomena on the surface, such as miniature whirls, waves, rays of sunlight and especially moonlight. The poem focuses on the possibilities of transferring the experience with a specific place, and the events in a unique, unrepeatable time and space into the theatrical scene and possibilities of the musical and audiovisual interpretation of such experience. I work with digital media (video mix and audiostop) to transfer the artist's physical experience in a unique time and unique natural setting into the scenic form of the work. Considering the physical and symbolic qualities of the water element, I have abandoned the composition of the event in the classical sense.
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Inner Space II (Mind in a Cave)
Orel Tomáš, Jakub ; Šejn, Miloš (referee) ; Kolář, Matěj (advisor)
For my bachelor thesis became the basis archetipic area of the caves. The cradle and the grave, the first canvas, spiritual and cultural catalysator of the genus homo sapiens. Questions journey into the inner (lower) world of darkness. For my work Inner space II. I choose a small natural caves. The aim of their search and work with them is the authentication concepts and ideas related to the landscape and natural objects such as theme, which seemed to me difficult to grasp. In my work I want to connect two kinds of experiences of my life, wildlife and life in an urban environment. Contact thinking pertaining to the subject of art and thinking independent on the categories and topics of art.
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WATERWAY, TO SING THE SPACE
Orel Tomáš, Jakub ; Šejn, Miloš (referee) ; Helia De Felice, Jennifer (advisor)
The way of the Jedovnice creek: connection with the spring Falling into the underground halls and back to the light. The Water Way is an intermedial poem that is concerned to the element of water, character of its way through the landscape and its presence in the landscape. Since the type of work I most prefer is the work in the landscape, I am returning back to the natural landscape, strong places in Moravian karst near Brno. The audiovisual poem is primarily focused on the moment of melting. Sublimation of ice from the ice shelter, ephemeral phenomena on the surface, such as miniature whirls, waves, rays of sunlight and especially moonlight. The poem focuses on the possibilities of transferring the experience with a specific place, and the events in a unique, unrepeatable time and space into the theatrical scene and possibilities of the musical and audiovisual interpretation of such experience. I work with digital media (video mix and audiostop) to transfer the artist's physical experience in a unique time and unique natural setting into the scenic form of the work. Considering the physical and symbolic qualities of the water element, I have abandoned the composition of the event in the classical sense.
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The Feast
Orel Tomáš, Jakub ; Šejn, Miloš ; Ruller, Tomáš
For the realization of forest feast, I chose the form of a happening, and consciously find myself on the edge of art and ritual. I see art as both artifacts created a situation for forest receptions, so the process of formation and reflection receptions, concept or screenplay. Different variants of scenarios that stand in zákadě events I describe below in thinking about work. Also, the script for which I have reached the gradual development considerations, is to read the below invitation to the event, enclosed in the picture. A Feast For example, in ancient Greece began and ended the festival of sacrifice to the gods. I decided to accentuate this motive. The victim from receiving food, waiver of thanksgiving everyday dish deepens, it becomes a conscious activity. In the Christian world has in this sense, the greatest significance of the Last Supper, its symbolism are the most important ritual in the Christian Mass. The feast of Christ gradually became a major theme in the history of art to the modernist and contemporary design. However, I wanted to draw your own version of a symbolic feast as it is for me the key theme of the relationship between man and nature, I placed a feast to the natural landscape. That is my role model in the theater of orgies and mysteries Herman Nitsch and installation Woman House Dinner Party by Judy Chicago. My happening also counts with people, which is thought imminent. Already during previous meetings with small domestic fire, we realized that it is an intimate ritual and should be well participants choose to debate with them about the situation, well brighten intention. Some of the invited guests with my thoughts directly disagreed and refused to participate. That's why I later reviewed, it is a community event. Close relationships that are fundamental perception of that experience helps a reality shared apartment, in the city center on Minority 12. Here, daily life is characterized by the features of a small community. One of the reasons why some invitees refused participation is likely that not so common reality. They do not have a clear awareness of the artistic realities and contexts that allow action should be viewed with a certain detachment, as a result of some conceptual activity of the author. Flavor through community acquires a more significant role if Ideally happening repeat (turns into a ritual), but this time actually with cultivars, products directly in preparation for this purpose. So in terms of actual conscious experience of the origin of food and the principle of submission (the victim): That is their commitment to a particular location to maintain the robust earth energy. The issue of my presentation happening is an issue. I think there is a need, the essence lies in the internal happenings and common experiences of the people involved. Therefore I kept an open space, which form when presenting choose. During implementation, however, consistently work documents. Some moments, however, are not transferable camera. Thus documenting the needs of the thesis and its presentation. Ideally, in the future feasts I want to accentuate documentation retreat.
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Inner Space II (Mind in a Cave)
Orel Tomáš, Jakub ; Šejn, Miloš (referee) ; Kolář, Matěj (advisor)
For my bachelor thesis became the basis archetipic area of the caves. The cradle and the grave, the first canvas, spiritual and cultural catalysator of the genus homo sapiens. Questions journey into the inner (lower) world of darkness. For my work Inner space II. I choose a small natural caves. The aim of their search and work with them is the authentication concepts and ideas related to the landscape and natural objects such as theme, which seemed to me difficult to grasp. In my work I want to connect two kinds of experiences of my life, wildlife and life in an urban environment. Contact thinking pertaining to the subject of art and thinking independent on the categories and topics of art.
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