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Paintings of Hendrick van Balen in collections of Czech Lands. Inspiration for van Balen's figural compositions and his influens for next artistic generations.
Nerudová, Magdalena ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
Obrazy Hendricka van Balena ve sbírkách zemí českých. Inspirace pro van Balenovy figurální kompozice a jejich vliv na další umělecké generace. Abstract The diploma thesis fucuses on the paintings by Hendrick van Balen (1575-1632), which are found in Czech collections. The main point of this thesis is a figurative stint in cabinet painting, which was the domain of the Antwerp painter Hendrick van Balen. there will be also hightlighted Hendrick van Balen's collaboration with Jan Brueghel Older, who became a part of his work as the author of still life and nature in Balen's paintings. On specific works from the Czech collections will by pointed out the possible inspiration in the figures of rudolfinian masters Hans von Aachen and Josef Heintz and parallels in their work, and the influence on the cabinet painting of the 18th century painters, Johan Georg Platzer (1704-1761) and his follower Franz Christophr Jannecka (1703-1761). Keywords Hendrick van Balen, inspiration, Hans von Aachen, Josef Heintz, Johan George Platzer, Franz Christoph Janneck, cabinet painting, mythology, collections in Czech Lands, Jan Brueghel the Older, Jan Brueghel the Younger
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Female Nudes in Paintings Dutch Renaissance Masters. Interpretations of Works of Art from Czech Collections.
Nerudová, Magdalena ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Female Nudes in Paintings Dutch Renaissance Masters. Interpretations of Works of Art from Czech Collections. Abstract The bachelor thesis focused on a few selected works by Dutch Renaissance masters. The bachelor thesis is based on women nudes. To be more precise it stands on portrayal of woman nude in the art works of Dutch Renaissance painters. The nudes were divided into three different thematic groups. First group is focused on paintings with the sacral theme (Madonna and child, Susannah and the Elders, The death of Mary Magdalena). Second group brings out paintings with the profane theme (Half- length Figure of a Woman Naked to the Waist). The last group concentrates paintings of Ancient Rome (The Suicide of Sophonisba, The Suicide of Lucretia). The art works, that were chosen to be scrutinize, can be found in the czech collections of art. Each and every painting was characterized in detail using the iconography analysis, set in the period and compared to other art works that relate to them and are placed in worldwide galleries. This thesis aim is to accurate the significance of women nudes in the art works of the Dutch Renaissance masters.
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