National Repository of Grey Literature 30 records found  beginprevious21 - 30  jump to record: Search took 0.00 seconds. 
Digital image quality parameters and their influence in the process of shooting
Lněnička, Aleš ; Košťál, Emil (advisor) ; Myslík, Jiří (referee)
Work deals with the causes of deterioration of the transmission of information about the picture.
3 D cinematography from DOP´s point of view
Tichovský, Martin ; Myslík, Jiří (advisor) ; Smutný, Vladimír (referee)
The technology and reproduction of 3D movies is going to the next level of evolution because of the digitalization. Integration of the new form of poduction of audiovisual pieces brings different...
Film Camera, History and Present
Halousek, Jakub ; Myslík, Jiří (advisor) ; Malý, Svatopluk (referee)
This work discribe technologz evolution of camera equipment in contex of cinema history from beginning till present days
D.O.P. Vladimir Holomek - cameraman
Souček, Daniel ; Polák, Petr (advisor) ; Myslík, Jiří (referee)
live and production of Vladimir Holomek
Digital camera RED ONE and issue of digital acquisition format
Černý, Michal ; Myslík, Jiří (advisor) ; Jícha, Marek (referee)
This diploma work concerns digital acquisition format of films.
Primary/postproduction image correction
Ptáčník, Jaroslav ; Myslík, Jiří (advisor) ; Košťál, Emil (referee)
Primary image correction, Colour filters CTO, CTB for primary correction - general overview only, TV camcorder setting for primary image correction, gamma correction. Postproduction image correction, system for grading - general overview, non-linear system for image correction advantage/disadvantage, Triangle Commission internationale de l'éclairage - CIE, new digital cameras for Digital Cinema, international standart for image correction CRT/LCD display - comparation and setting for image correction, new television cameras - general overview - HDTV broadcast, image correction for live broadcast.
Focus as a feature and means of expression
Milota, Lukáš ; Hynek Krämer, Kristian (advisor) ; Myslík, Jiří (referee)
Focus (or the lack of it) is one of the fundamntal means of expression in both still and motion photography. In motion pictures this tool is enhanced by the possibility of temporal (i.e. during the shot) and spatial (i.e. within the frame) changes. Mastering it is to a certain extent a question of sensitivity or talent, however it cannot be used without basic technical knowledge.
Special effects for feature film
Šmíd, Zbyněk ; Weiser, Antonín (advisor) ; Myslík, Jiří (referee)
Analysis and comparisio of painters pictures whith film pictures.
Focus and unfocus as a feature and a means of expresion
Stretti, Adam ; Myslík, Jiří (advisor) ; Pecák, Josef (referee)
This bacalaureus work inquires from diferent angle of view into focus and unfocus. The first part acquaints with the structure of eye, with its physiological and psycho-physiological character, including the defects. Next part concerns with the view on this theme from the side of photographical imagery ? optical imagery generaly, focus of the picture, including various types and utilizations, differentiation abilities and defects of object lens, and similarity of these defects with the defects of eye. The last part deals with this theme as expressional instrument, and with possibilities of exploitation of focus and unfocus in different cases and shapes.
Hybrid technologies and process of film print, digital intermediate
Cabalka, Jan ; Jícha, Marek (advisor) ; Myslík, Jiří (referee)
This thesis is focused on process of digital intermediate, it is discovering the steps of this process and it´s benefits for whole film industry

National Repository of Grey Literature : 30 records found   beginprevious21 - 30  jump to record:
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