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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Audio-visual interpretation of a musical work
 Kršáková, Leticia ; SKALL, Vladimír (advisor) ; KOPECKÝ, Pavel (referee)
Abstract This thesis deals with an audio-visual interpretation of a musical work. It is an extensive issue because audio-visualisation of music accumulates in itself a range of art disciplines and it works with their resources. The general idea of a development line is captured in the general part of the thesis which is dedicated to music and dance and film as its transformations. The second part of the thesis presents the basic forms of such adaptations and some film music genres with theirs specific features and there are also described some typical and unusual authors' procedures and the functionality of their approach is evaluated from a viewer's-listener's side. The theoretical support for the conclusions presented in the thesis are drawn from available resources and domestic and foreign scientific literature. The conclusions of a general assessment of possibilities and difficulties of audio-visual interpretation are based primarily on the analysis and comparison of musical and visual components in the selected audio-visual works.
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Film music of Luboš Fišer
 Kršáková, Leticia ; Zobač, Jiří (advisor) ; Bláha, Ivo (referee)
This paper talks about the film music composed by Luboš Fišer (30.9.1935 - 22.6.1999) who was one of the most famous and fruitful Czech composers of the film and television music. Although the paper focuses primarily on Fišer?s composition of film music, it is necessary to marginally mention also his creation of television music and his concert composing of "classical" music. The paper is divided according to the timeline to individual chapters, following creative activity of the composer in different decades in the second half of the 20th century. From the inexhaustible and diverse range of films, for which L. Fišer composed music, the greatest attention is devoted to three films, Morgiana (1972), Death of the beautiful deer (1986) and Golet in the valley (1994). My intention is to identify the specific procedures of the composer's creative expression on the basis of music´s analysis of these three selected works. Based on which the paper wants to bring closer attention to the specific examples of Fišer?s compositional principles and the general characteristics of the Fišer?s film music.
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1 Kršáková, Lucia
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