National Repository of Grey Literature 20 records found  1 - 10next  jump to record: Search took 0.01 seconds. 
The Shame and the Art
Horváthová, Petra ; Šavlíková, Kateřina (referee)
This dissertation occupies with the study on The school of Art, especially by topics of pedagogical activity. It investigates, how responsible the pedagogue is in face of the student and how big influence he has on students' development. It also investigates the relationship between the pedagogue and the student. Researches the area of trauma caused by pedagogic activity and problems, which are connected with it. It is written as a story of a DAMU student blend together with psychological - social study.
Variations of Actors´ Employment
Suchánková, Anna ; Salzmannová, Eva (advisor) ; Šavlíková, Kateřina (referee)
This master´s thesis attempts to depict the development of study acting at the KALD DAMU (Department of Alternative and Puppet Theatre, Theatre Faculty of the Academy of Performing Arts) of one specific year in academic periods 2006/2007 - 2009/2010. The research is focused on specific fields of the profession of acting and practical projects, which enabled students to get some practical training. It tries to compare those findings with actors´ demands in professional environment and moreover it summarizes skills of graduates, with that they leave the school. At the end arise some possibilities, which could enrich and increase the efficiency of acting studies. The thesis is based on author´s own experience.
Techniques of Theatre Concentration
Bazalová, Alena ; Šavlíková, Kateřina (advisor) ; Makonj, Karel (referee)
Author is interested in the theatre concentration. She summarizes theatre-theoretical approaches to it and describes various methods. The thesis includes also the external factors during the performance, which influence the actor´s concentration. She also introduces non-theatre forms of concentration and offers the compendium of the concentration techniques. She tries most of the techniques on her own and comments them. Key words: theatre concentration, concentration exercises, non-theatre forms of concentration.
Cafe Avion
Humel, Barbara ; Šavlíková, Kateřina (advisor) ; Špicnerová, Vlasta (referee)
In this thesis specific attributes of region Těšínské Slezsko are treated, with a view to cultural (and especially theatre) activities. It decribes history and current situation of populous polish community which lives in here. It follows both professional and non-professional culture. In the area of professional culture it?s focusing on polish department of theatre in Český Těšín and puppet theatre Teatr lalky Bajka. Also the tesis pay special attention to production Avion ? kavárna, která není (Avion ? cafe, which doesn?t exist anymore). Main topic of this production are difficulties (but also attractions) of multicultural cohabitation, which is typical for this region. The production became very popular and contributed to rehabilitation of relations among different ethnic groups. I?m not historian neither art historian. My target is not to set up komplete study, but to illustrate status of theatre in region, which stays wrongly past natural interest, including my own personal experiencies.
Viktor Dyk's Grotesque Expressionism
Šulc, Ondřej ; Šavlíková, Kateřina (advisor) ; Tichý, Zdeněk (referee)
In my bachelor work I document the process of my own way of staging of V.Dyk´s play Ondřej and dragon (Ondřej a drak). The work includes researching results of historical and literary sources about this drama and also the description of dramaturgy work including my way of adaptation of the text, which is attached. One part of the work is dedicated to the cooperation with actors, especially in the first weeks of making the performance. The final performance was influenced by these first key weeks. I focused on Dyk´s plays, Ondřej and dragon and Don Quixot´s getting wiser which are thematically similar. According them I also wrote short definition of grotesque expresionism of V.Dyk´s dramas. Grotesque was one of the most important aspects of my dramaturgy vision since the begining of the staging.
The Theater Inspired by Biography
Holiček, Branislav ; Šavlíková, Kateřina (advisor) ; Etlík, Jaroslav (referee)
Bachelor's thesis, which deals with the use of biography in all its possible forms and variations in relation to theatrical work. From the viewpoint of the writer and director. The main task of this work is a practical reflection inclines directing - production Dark-blue world (upside down).
Illusion Closely - Limits, Potentialities
Kopřivová, Věra ; Šavlíková, Kateřina (advisor) ; Tománek, Karel, Frant. (referee)
This bachelor thesis is devoted to the play written by Jiří Karásek ze Lvovic Dream of the Empire of Beauty (1907). It describes the origin of homonymic inscenation which was realized in spring 2008 in studio Řetízek at DAMU. It attempts to capture the advantages and disadvantages of illusional elaboration in relation to the text and comunication with the audience. The inscenation was a polemic with the statement, that illusional concept is not suitable for a poetic drama. The thesis evaluates results of preserving uniqueness of illusion while used at arm´s length and the moments of estrangement. It tries to define in which way was the inscenation beneficial for me as the creator and in which ways for the audience.
Loo - Looking back, Theatre - Statement or Show
Hába, Michal ; Šavlíková, Kateřina (advisor) ; Tománek, Karel, Frant. (referee)
The paper focuses mainly on the meaning of contemporary theatre- its role in the society today. The notions statement and show are the principal viewpoints. The issue is based on the reflection of the Loo - Looking back, staged poem about the World. The paper covers both the staging process and the author´s study and stage experience, which determined the approach to the production. The paper also analyzes the influences leading to the origin of Looking back, reflecting the statement/show koncept: eg. Having to stage poetry (as assigned), taking account of the contemporary thinking and contemporary theatre, and last but not least of the audience.
Farce as a Genre
Spišák, Šimon ; Šavlíková, Kateřina (advisor) ; Makonj, Karel (referee)
In this paper, I try to go into farce as a submission for semestral work. I would like to define farce as a genre as well. The paper describes complete process of theoretical and practical part of submission.
Happening
Šteflíčková, Jana ; Neumann, Julius (advisor) ; Šavlíková, Kateřina (referee)
This work treats the question linked to the phenomenon of happening. I am attempting to define the concept of both action art and its specific disciplines, and to demarkate the limits of the term happening itself. The discussion proceeds to the historical and social context of the origins of the phenomenon of the happening and to its aims. The main accent, though, is on the specifics of the developement of the happening in the Czech milieu, especially during the difficult period of the sixties. I feel that it is both necessary and usefulto try to recall and revive the reality we are living in, and to keep revaluing it. In eny era.

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