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National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
NEGLECTED SOUL-JAZZ GUITARISTS OF THE 1960s
 Šmoldas, Libor ; HONZÁK, Jaromír (advisor) ; DORŮŽKA, David (referee)
This work deals with a musical genre that borders jazz, gospel and blues, so-called soul-jazz, which peaked in popularity in the 1960s in the USA and as a predominantly afro-american art form went almost unnoticed by the mainstream critics and journalists. The aim of the analysis is to specify it’s characteristics, introduce it’s representatives out of guitarists and describe their musical careers and style. The output of the thesis will be enrichment of my own style in both improvisation and composition.
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Composition Elements in the Work of Pat Metheny
 Beneš, Petr ; HONZÁK, Jaromír (advisor) ; DORŮŽKA, David (referee)
This work deals with the analysis of compositions by Pat Metheny from his early work. The aim of the analysis is to specify individual compositional elements, to describe their role in specific compositions and to evaluate how they interact and complement each other. The output of the thesis will be an analysis of the composition intention itself supplemented by the acquired experience.

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The History and Significance of the Trio Format of Saxophone, Double Bass, and Drums in the Context of Jazz Music
 Kyncl, Jan ; KOP, František (advisor) ; DORŮŽKA, David (referee)
The main goal of this thesis is to describe the history and significance of one of less usual formats that has appeared within a tradition of jazz music - the format of saxophone, double bass and drums. In addition to the historic overview of this format, his main protagonists will be listed as well as their body of work. The other goal of this thesis is to establish the influence of this format on the development of jazz music.
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