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The aesthetic experience of ruins
Pechoušková, Klára ; Dadejík, Ondřej (advisor) ; Kaplický, Martin (referee)
Bachelor project follows the basic definition of ruins, dilapidated objects as specific object of aesthetics. Visitors are attracted by such places for many reasons and one of them is traditionally the hunt for a specific aesthetic experience. The goal of the project is to identify the quality of this experience through comparison with two basic types of aesthetic objects: artworks and natural aesthetic objects. Nature and culture are often considered two divided fields. A ruin is an object which doesn't fully belong to the area of artifacts but neither is a fully natural element. Primary literature bases on contemporary environmental aesthetics and is complemented by basic titles of so-called "aesthetics of ruins" or "aesthetics of decay". The end of the project discuss the use of the achieved findings in exploration of the aesthetic specificity of modern ruins like abandoned factories, hospitals, schools, hotels etc. Powered by TCPDF (www.tcpdf.org)
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Machine, movie and human perception
Pechoušková, Klára ; Fišerová, Michaela (advisor) ; Řehořová, Irena (referee)
The main topic of this diploma thesis is the relationship of movie and human perception. Movie is a purely technical medium that moves images for the first time. The starting point of the work is the book written by French cultural theorist Paul Virilio and his reflections on film and technology. Virilio's position is negative in many ways due to cinematography. He blames technology for horrors inflicted during world wars. Cinematography is guilty of a revolution of perception that leads to the decomposition of the vision and the disintegration of the classical dimensions of space and time. In my work Virilio's views are confronted with the reflections of Virilio's contemporary, also the French theorist, Gilles Deleuze. Deleuze understands movie in many ways differently than Virilio. Also his opinion on the technique is quite different. The movie after World War II is a medium that no longer attempts to imitate natural perception. Such film can cause a shock to the audience. This shock opens up new possibilities of thinking and perception, and the viewer gains the opportunity to achieve a specific spiritual life through a movie.
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The aesthetic experience of ruins
Pechoušková, Klára ; Dadejík, Ondřej (advisor) ; Kaplický, Martin (referee)
Bachelor project follows the basic definition of ruins, dilapidated objects as specific object of aesthetics. Visitors are attracted by such places for many reasons and one of them is traditionally the hunt for a specific aesthetic experience. The goal of the project is to identify the quality of this experience through comparison with two basic types of aesthetic objects: artworks and natural aesthetic objects. Nature and culture are often considered two divided fields. A ruin is an object which doesn't fully belong to the area of artifacts but neither is a fully natural element. Primary literature bases on contemporary environmental aesthetics and is complemented by basic titles of so-called "aesthetics of ruins" or "aesthetics of decay". The end of the project discuss the use of the achieved findings in exploration of the aesthetic specificity of modern ruins like abandoned factories, hospitals, schools, hotels etc. Powered by TCPDF (www.tcpdf.org)
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