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B. Yavorsky and his contribution to interpretation of J.S. Bach's WTC
Vorobyeva, Evgenia ; BILINSKÁ, Kvitoslava (advisor) ; KLÁNSKÝ, Ivan (referee)
The aim of this Bachelor’s Thesis is to introduce Yavorsky’s conception of interpretation of Johann Sebastian Bach's Well-Tempered Clavier (WTC) and on the basis of this theory to perform an analysis of the Prelude and Fugue cis-moll from WTC II. According to Yavorsky, music of WTC is not just pure and beautiful music in itself, but it has also deep spiritual content. The theory of Yavorsky is focused on the analysis of WTC in the connection with biblical themes; it looks for the parallels between single preludes and fugues and protestant chorals and discusses WTC's musical speech as a speech of symbols.
The analysis of the Prelude and Fugue cis-moll was performed on the basis of Yavorsky‘s theory as well as from the point of view of the performer and his intuitive feelings. This Analysis contributes to confirmation of usefulness of Yavorsky’s theory and gives opportunity to show, how Yavorsky’s theory could be used in the interpretation of Bach’s works.
To both performers and teachers the presented thesis could give practical directions, which could help to reveal the way of Bach’s musical thinking.
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The interpretive tradition and analysis of the “Pan” by Vítězslav Novák
Brizhaneva, Tatiana ; BILINSKÁ, Kvitoslava (advisor) ; MALÝ, František (referee)
The purpose of this thesis is a comprehensive performing analysis of the program Tone Poem “Pan” op. 43 by Vítězslav Novák. This composition represents one of the pearls of the Czech piano repertoire, but very few pianists included it in their concert programs because of the duration and technical difficulties. However, thanks to its originality, richness of the harmonic and melodic resources and quality of the detailes, the piano music of Vítězslav Novák is worth to be performed at concert venues much more frequently. Using for her studies czech information sources mostly, such as monographs, sets of articles about Novák, Novák’s biographic notes, the author has tried to aggregate data on the idea of “Pan”, the composition process and to describe the outstanding performers of this unique cycle. Recordings made by František Maxián, František Rauch, Martin Vojtíšek, Margaret Fingerhut and Slovak Filharmonic Orchestra with Zdeněk Bílek have served as valuable materials for the comparative analysis of different interpretations of the piece. The author’s own observations that were made during her studying and performing the piece as well as a theoretical analysis are included.
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INTERPRETATION ASPECTS OF CHOPIN’S B MINOR SONATA
Czepa, Roman ; MALÝ, František (advisor) ; BILINSKÁ, Kvitoslava (referee)
The main aim of the thesis is to give a conclusive view of the current interpretation state of Frédéric Chopin’s sonata in B minor, op. 58. A brief formal analysis is provided as well as further study hints. The main part focuses on interpretation difficulties such as edition choice, composition style in contrast to interpretation approaches and fulfilment of the opus by famous pianists.
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Murray Perahia and his contribution to piano interpretation
Klánský, Lukáš ; KLÁNSKÝ, Ivan (advisor) ; BILINSKÁ, Kvitoslava (referee)
This Master Thesis deals with the world-renowned pianist Murray Perahioa and his contribution to the pianist. It describes his life and introduces readers to his views on music. It is analyzing his recordings and focuses on his editorial activity also. Analysis of the recordings is centered on important works of the Baroque and Classica era. Analysis of editorial work is conceived as another way to understand the weork of the extraordinary pianist.
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Piano works of S. Rachmaninov with focusing on the cycle Moments musical
Švehláková, Zdeňka ; BILINSKÁ, Kvitoslava (advisor) ; MALÝ, František (referee)
This Diploma´s thesis is focused on a composer Sergej Vasiljevic Rachmaninov. It contains his biography and the list of his piano works. The main part of the work is focused on the piano cycle Moments musical, which consists of six compositions. The thesis includes a formal analysis and recommendation how to play and practice this work.
The final part of the thesis is devoted to the recordings of this cycle. It contains the list of the recordings and the comparison of the three representative pianists. There is also a piece of information about all of them.
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Film Music of Dmitrij Shostakovich
Vavrušová, Andrea ; KASÍK, Martin (advisor) ; BILINSKÁ, Kvitoslava (referee)
The topic of my bachelor thesis is to introduce film music of Dmitrij Shostakovich, to study some of the major compositions, which are partly analyzed, but without any concrete example.
My goal is to bring the reader closer to the way the composer dealt with this particular kind of music, which is of no lesser quality to his standart repertoire.
I managed to illustrate political situation of given time period and conditions in which the works were composed, eventually edited.
An the end I would like to recommend some of the recordings with great interpretation of film music of Dmitri Shostakovich.
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Professional Diseases of Pianists with Specialization in Prevention
Hasmanová, Adéla ; MALÝ, František (advisor) ; BILINSKÁ, Kvitoslava (referee)
Play on piano is one-sided movement activity. During this activity is burned our upper body mainly our arms. During overworking of particular part can happen disease of playing apparatus. Aim of this work is to map the most common diseases for pianist, to find out symptoms and causations and mainly to find out more about prevention. Also this work is providing information from anatomy, which is necessary to know for pianist affected by professional disease.
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Martina Maixnerová - Teacher and concert Artist
Pelcová, Zuzana ; BILINSKÁ, Kvitoslava (advisor) ; KRAJNÝ, Boris (referee)
The subject of this thesis is the outstanding personality of the teacher and pianist Martina Maixnerová , which was neglected due to her emigration. We discuss her life story, concert performances and educational success. We will also mention the personality of a significant violinist Pavel Prantl, who become her life partner, both in private and in professional life.
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Alexander N. Skryabin: Sonata no. V.
Rossa, Jan ; BILINSKÁ, Kvitoslava (advisor) ; KRAJNÝ, Boris (referee)
The aim of this Bachelor work is primarily to better understand and classify A. N. Skrjabin fifth sonata to the context of his work. Also to further clarify complicated structural and harmonic aspekt of this composition and new possibilities interpretation of fifth sonata. As a means to that end I mostly used the literature (see sources), as well as great views of musical personalities with whom I consulted this issue and last but not least, my own experience. I think that my contribution can be a new dual perspective to Skrjabin music (viewpoint of the artist and viewpoint of composer).
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