National Repository of Grey Literature 58 records found  1 - 10nextend  jump to record: Search took 0.01 seconds. 
Presentation of the selected collections of renaissance and baroque paintings in Bohemia and Moravia
Frdlíková, Markéta ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
Presentation of the selected collections of renaissance and baroque paintings in Bohemia and Moravia This Bachelor Thesis refers to the presentation of works of renaissance and baroque paintings in the most important Bohemian and Moravian galleries. The Thesis is especially focused on the permanent exhibitions of the National Gallery in Prague, Moravian Gallery in Brno, Archdiocesan Museum in Olomouc and Kroměříž and the Strahov Gallery and their description, evaluation and comparison. The thesis is also aims attention to the creation of permanent exhibitions and the function of art museums in last fifty years. In the last chapter, the presentations of Czech collections are compared to the foreign permanent exhibition of renaissance and baroque art in The National Gallery in London and in Galleria Degli Ufizzi in Florence.
Culture in numbers 2018
Národní informační a poradenské středisko pro kulturu
Statistika kultury se zabývá zjišťováním údajů o činnosti kulturních subjektů (např. návštěvnost, kapacita, vzdělávací akce, vydané publika, výpůjčky, čtenáři). V předkládané brožuře jsou zveřejněny vybrané údaje za následující obory: divadlo, galerie, muzea a památníky, hvězdárny, planetária a astronomické pozorovatelny, veřejné knihovny, památkové objekty zpřístupněné za vstupné, neperiodické publikace a periodický tisk. Údaje ekonomické povahy jsou k dispozici pouze za subjekty veřejného sektoru, kulturní subjekty v soukromém sektoru je neposkytují.
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The Slavic Epic as a task of architecture
Hromádková, Barbora ; Czumalo, Vladimír (advisor) ; Vajčner, Jiří (referee)
The work at hand deals in a broader way with the placement of the Slavic Epic from an architectural point of view. The author first focuses on the role of historical monumental canvases in relation to the formation of the national identity and looks in this respect at some Czech monumental canvases before the Slavic Epic was painted. Another chapter deals primarily with the Slavic Epic. It presents a detailed view on a difficult process of finding a tailor-made exhibition space for the monumental canvas from the point Alfons Mucha started with its painting until the present time. It also shows specific demands on a building in which the Slavic Epic should have been placed. The next chapter presents all projects that have been made so far to build a new exhibition space for the Slavic Epic. Based on the analysis of this work the final chapter describes author's own ideal proposal of a complex architectural solution of the exhibition space which also encompasses exhibition management and marketing.

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