National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Exhibitions Confrontations in the Years 1984-1987
PROKEŠOVÁ, Daniela
The subject of this bachelor thesis are the exhibitions Confrontations I-VI, exhibitions organized in 1984-1986 by students of the Academy of Fine Arts and the Academy of Applied Arts in Prague. At that time, students were not able to participate in official exhibitions and the strong need to exhibit and confront each other led them to organize their own in their studios and apartments. Jiří David and Stanislav Diviš took on the task of organizing them after discovering that some of their classmates had the same needs as they did. The main aim of this thesis is to describe these exhibitions in as much detail as possible and to present their form on the basis of available photographs and reviews, and to evaluate their significance, both for the participants themselves and for the further development of visual art in our area. Furthermore, the thesis tries to place the exhibitions in the context of art and the social situation at the turn of the 1970s and 1980s. Art production at that time was strongly influenced by the ruling communist regime, which bound art with a series of restrictive rules and did not allow everyone to exhibit. Thus, the organisation of exhibitions in alternative, non-arts spaces was not an isolated event. The final part of the thesis assesses the influence of Confrontations as the beginning of our postmodern art, especially according to the elements that the exhibition reviewers saw as postmodern in the art works.
The Art Scene in Ostrava in an Extended Context of the1980's and 1990's
Král, Jakub ; Pech, Milan (referee)
As a result of the postmodern decentralization of thinking, the monolithic historical development is undermined and together with it the peripheral streams of artistic development are accepted. In the mid-eighties in the Czech republic two parallel regional art scenes were emerged in Ostrava and Usti nad Labem, which are characterized by a different approach to traditional artistic strategies. It seems that traditional disciplines in these regions are failing, and the artists due to the impossibility of continuous connection with previous historical development and the lack of institutional support opts for the intesified position towards the bases of the art itself and its affirmation. Artists in the 1980s and 1990s in Ostrava turned against the classic institutional activity in the form of orientation on the public space and criticism of the bases of modern autonomous artwork. Powered by TCPDF (www.tcpdf.org)

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