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The Term Romanticism in Literary History
HRDINA, Martin
Subject of the dissertation thesis research is the term Romanticism, in entirety of its existence in thinking about the history of specific Central European literary works. At first the author of the thesis discusses constitution of the term, its revision and basic scope of the revised term use. Introduction of the constitutionalized term as an intersection of judgments, allows us to understand the reasons for its inconsistency and ambiguity in the meaning which were the most significant incentives for the revision of the term. The constitution as well as the concept revision is monitored in terms of interpretation of its meaning, the differentiation of the meaning and its collocability with other terms of the same genus proximum. Use of the revised concept is examined in terms of accentuating the homogeneity and heterogeneity of its meaning. After the establishing the general historical overview of the Romanticism term use, the author of the thesis focuses on its use in the relation with the Czech national literature as a specific, relatively fixed set of material. Author focuses on the application of the term in critical-historical thinking about the modern Czech literature, in the positivist and mindscientific works, and also devotes attention to the interference of Marxist thinking to the structuralistic concept of Czech literature history in relation to the Romanticism and to the current possibilities of the term use. Based on the introduced glimpses into the history of the use of the term Romanticism the author comes to several recommendations for current and future conceptualization of Romanticism, whose validity may also be related to other historical literature terms.
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Image of History in Czech and Slovak literature
Fedrová, Stanislava
Proceedings of the 7th annual Students‘ Literary Conference focusing on the image of history in literature. The volume inheres a whole scope of topics, from concepts of cultural history to the „small history“ of an individual, from historic fiction intended to promote ideology to the mystifying image of alternative history, as well as a whole scope of genres.
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