National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
New knowledge of the harp technique after my many years of studying in Prague.
Xing, Yan ; BOUŠKOVÁ, Jana (advisor) ; BRATELJEVIČ, Ana (referee)
Abstract The main theme of my work is the description of the acquired knowledge in the study of the harp. During my stay in Prague, I compared my experience in studying Chinese traditional string instruments with technique and teaching the concert pedal harp in Europe. Based on my observations and my own practice, I found differences in the construction of the instrument, the technique of the game and the position of the hands in the game. Furthermore, the differences in notation related to the teaching methods of musical theory and listening exercises in the Czech Republic, which I did not meet in my country. No less important knowledge is the active release and methodical procedures for the composition of the compositions and their subsequent concert performance. The final summary of these findings is that all these aspects are closely related to the musical expression and thus form a single unit that helps to perfect the interpretation of music.
French harp Virtuoses and their compositional Contribution
Mousa Bacha, Hedvika ; BOUŠKOVÁ, Jana (advisor) ; ZELENKA, Milan (referee)
Master´s Thesis - French Harp Virtuoses and Their Compossitional Contribution - is focused on a harpist, since the invention of single action harp, starting with Jean-Pierre Bauer to Dominiga Bouchaud, the harpist who represents the second half of the twentieth century. These artists often came from harpist families in which this craft ( harp), like in other fields was inherited to next genaration. The French virtuoses were active solo and chamber players, pedagogues, theorists and innovators of harp mechanism. They contributed to the expansion of harp repertoire, thanks to their original works as well as transcription of works that were not originally written for harp. The´ve written many harp´s methods, which have helped in improving technigue of many students, these methods are still in use not only in France at present time. Henriette Renié, Marcel Grandjany, Carlos Salzedo, and other virtuoses inspired other artists to create music for this instrument by their highly artistic qualities.Among the composers who had been charmed by the sound of harp were C.Debussy, A.Roussel, M. Ravel, A.Ginastera, A.Caplet and many more...

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