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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
The development of interpretational demands on Czech composers works for percussion instruments from the 1960s to the present
 Veselý, Šimon ; MIKOLÁŠEK, Daniel (advisor) ; BARTOŇ, Hanuš (referee)
This diploma thesis deals with the growing tendency of composers of Czech artificial music from the 1960s to the present to discover new technical possibilities of percussion instruments and then apply them to the musical process. The work contains several notes about the historical re-evaluation of the percussion instruments in the hands of the composers, and the emancipation of the percussion instruments in the work of Czech composers. The work contains several theoretical and interpretative analyzes, namely the analysis of works by Miloslav Kabeláč, Marek Kopelent and Daniel Chudovský. The aim of the work is to point out the increasing demands for interpretation of contemporary music for percussion instruments, but also the resonant plurality and openness of various composing personalities of the selected time period.
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COMMERCIALIZATION OF ARTIFICIAL MUSIC
 Veselý, Šimon ; MIKOLÁŠEK, Daniel (advisor) ; HAVLÍK, Jaromír (referee)
This bachelor thesis discusses the commercialization of artificial music with special attention to the situation of contemporary music literature for percussion. The aim of thesis is to show the artistic value, which is the main aspect of the recognition of commercial manipulation. The thesis also describes the role of the music industry, technology and mass media due to the popularization of musical works. The work is based on the knowledge of music of the 20th and 21st century art and the concept of recontextualization values during this music period.
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