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Etienne Decroux and his method Le Mime Corporel
Šimon, Lukáš ; VIZVÁRY, Radim (advisor) ; SOPROVÁ, Jana (referee)
This thesis discusses the life and work of Etienne Decroux, one of France's most important reformers of the theater and his method of Le Mime Corporel, which still forms the basis of modern pantomime. Decroux is known worldwide as an excellent mime, director, teacher, theorist and reformer of the theater. His contribution to the development of the European theater in the last century is very significant, especially for mime theatre. The work presents Decroux's personality and his contribution to the creation of the new method of mime theatre - Le Mime Corporel. Another task of this thesis is to explore the effects of different important personalities in the artistic development of Etienne Decroux, to describe the basic elements forming the method Le Mime Corporel and to compare it to other genres of movement theater.
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Czech - French Interaction and its significance for modern Czech pantomime
Vizváry, Radim ; PETIŠKOVÁ, Ladislava (advisor) ; HYVNAR, Jan (referee)
The work examines Czech ? French relations and its impact on modern Czech pantomime after 1945 in three respects. The aim of this work was to create an overview mapping French contacts with leading figures of modern Czech pantomime. The first section is concerned with historical perspectives. Based on the direct testimony of participants, research, and the discovery of yet unpublished archive material, I introduce new facts and verify the historical context during the renewal of interest in pantomime art in Czechoslovakia after 1945. While I was guided by historical events in interpreting this considerable body of material, I endeavored to record and develop the most significant events in broader and deeper contexts. The second aspect of my research focuses on a comparison of individual French mime techniques which have been and continue to be used here. I then attempt to compare these with my own method. I particularly understand them from a practical point of view, as I have learned and mastered these approaches and even adopted some for my own performing and teaching. In the third section, I assess the influence of French mime art on my artistic activity with respect to my teaching practice and own artistic work. This was most evident in the creation of Mesdames & Messieurs, Deburau!, where I played the main character, and while directing the opera Theater Beyond the Gate by B. Martinů.
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Ladislav Fialka
Vizváry, Radim ; Hybner, Boris (advisor) ; Petišková, Ladislava (referee)
This diploma describe Ladislav Fialka ´s life. It includes description of his six performances, some existing dialogs and opinions about his work, memories to L. Fialka and selfreflection and an analysis of L. Fialka ´s pantomime work.
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Pierot in the history of pantomime
Vizváry, Radim ; Sochor, Martin (advisor) ; Sochor, Martin (advisor) ; Hybner, Boris (referee)
This work represents the most important personalities and art piecies, since the begining of Pierot in his low roman comedies till the end of the 20th century, having marit in survive of the type. Every great actor moved- transfigured his own Pierot by his stoutness of talent and imagination. The greatest of them were Jean Gaspard Deberau, french artist Jean Louis Barrault, french mime and innovator of a modern pantomime Marcel Marceau, czech mime Ladislav Fialka and mime of the slovak origin Milan Sládek. Their influence on my art work is summarized at the end of this work and makes good the fact that these personalities became beau-ideals and big inspiration for me.
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