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The influence of microinterval music on my music language
 Stojilkovič, Marjan ; Kurz, Ivan (advisor) ; Kučera, Václav (advisor) ; Kopelent, Marek (referee) ; Bláha, Ivo (referee)
Ljuba Marič (1909-2003) first studied composition with Josip Slavenski at the Belgrade Music School (1925-1929), and continued her studies with Josef Suk at the Master School of Prague Conservatory (1929-1932) where she took Alois Hába´s course in quarter-tone music at the same instution from 1936 to 1937. The works she composed during the 1930´s were characterised by a radical will to break ties with traditional, mainly romantic music, so che chose to be influenced by the free atonal, predodecaphonic works of Arnold Schoenberg.
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