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Nina Sadur as a playwright
Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
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Nina Sadur as a playwright
Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
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Drama by Oleg Bogajev
Čeřovská, Magdalena ; Drozdová, Hana (referee) ; Ryčlová, Ivana (advisor)
Pro současnou ruskou dramatiku je příznačné, že každoročně vzniká velké množství nových divadelních her, objevují se noví mladí autoři a různorodá jsou také témata a směry, kterými se dramatici vydávají. Diplomová práce si stanovila za cíl představit dramatika Olega Bogajeva, který patří k současné nejmladší generaci ruských dramatiků tzv. nové dramatice. Jeho hry jsou inscenovány mnoha ruskými i zahraničními divadly a jsou oblíbeny u diváků a čtenářů. Práce je rozdělena do osmi kapitol. V první kapitole je zmíněna Bogajevova biografie, jeho autorské začátky a zkušenosti, kterých se mu dostalo během kurzu tvůrčího psaní u Nikolaje Koljady v Jekatěrinburgu. Bogajevovy hry byly otištěny v několika ruských a zahraničních periodicích a hrány v mnoha divadlech. Do širšího povědomí se dostaly díky účasti na nejrůznějších divadelních festivalech a přehlídkách. Větší pozornosti se autorovi dostalo po inscenování hry Ruská lidová pošta, kterou režíroval Kama Ginkas s Olegem Tabakovem v hlavní roli. Charakteristice Bogajevovy tvorby je věnována druhá kapitola této práce. Je zde zdůrazněna svébytnost autorovy tvorby ve srovnání se současnými tvůrčími proudy v ruské dramatice a blíže specifikována témata, která autora oslovují. Dvě podkapitoly jsou věnovány dramatikům Nině Sadur a Nikolaji Koljadovi, jejichž tvůrčí...
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