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Angelo Beolco, called Ru(z)zante
Plocková, Tereza ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The subject of this degree paper is the comedies of Angelo Beolco. The introductory part is focused mainly at the life and work of Angelo Beolco. Following this there is an introduction to the comedy genre in 16th century in Italy and the characteristics of erudite comedy, its authors and the change from the erudite comedy to the comedy dell'arte. A further part is given over to an analysis of his comedies La Pastoral (Pastoral), Il Reduce (Returnee) - Primo dialogo: Parlamento de Ruzante che iera vegnú de campo (First dialogue: What said Ruzante when he came back from the battlefield) and Secondo dialogo: Bilora (Second dialogue: Bilora).
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Pietro Aretino's Comedies
Plocková, Tereza ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The subject of this degree paper is the comedies of Pietro Aretino. The introductory part is directed mainly at the life and work of Pietro Aretino. Following this there is an introduction to the period of the Renaissance, the comedy genre in Italy and the characteristics of individual comedies by Aretino: La Cortigiana (The Courtesan), Il Marescalco (The Stablemaster), Lo Ipocrito (The Hypocrite), La Talanta (Talanta), Il Filosofo (The Philosopher). A further part is given over to an analysis of his most famous comedy La Cortigiana (the Courtesan) and a comparison of this drama with Machiavelli's comedy La Mandragola (Mandragora).
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Angelo Beolco, called Ru(z)zante
Plocková, Tereza ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The subject of this degree paper is the comedies of Angelo Beolco. The introductory part is focused mainly at the life and work of Angelo Beolco. Following this there is an introduction to the comedy genre in 16th century in Italy and the characteristics of erudite comedy, its authors and the change from the erudite comedy to the comedy dell'arte. A further part is given over to an analysis of his comedies La Pastoral (Pastoral), Il Reduce (Returnee) - Primo dialogo: Parlamento de Ruzante che iera vegnú de campo (First dialogue: What said Ruzante when he came back from the battlefield) and Secondo dialogo: Bilora (Second dialogue: Bilora).
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