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National Repository of Grey Literature 35 records found  beginprevious34 - 35  jump to record: Search took 0.02 seconds. 
Bohemian topic in librettos
 Babická, Tereza ; Kazárová, Helena (advisor) ; Brodská, Božena (referee)
Summary The author split her Bachelor Thesis into two main chapters that are further divided in subchapters. As a first resort she deals with the topic of the Hussite Wars in a chapter called Choreodrama considering the subject of the Hussite "Beautiful Rides". Then in the chapter A ballet inspired by the legend of the Maiden's War as described in Bohemian chronicals she focuses on the motif of the Maiden's War. The ballet Hussites at Naumburg was presented by Salvator Viganó in the Milan La Scala in 1815. It was a play with singing by August von Kotzebue what most probably inspired Viganó to compose his ballet. The comparison between the legend of Naumburg, the primary inspiration source, and the resulting ballet, is then treated thoroughly. Afterwards the ballet is confronted with the above mentioned melodram. Nearly at the end we are told how important the Hussite siege of Naumburg was for history. In 1852 Jules Perrot introduced in Petersburg his ballet The War of the Women, or The Amazons of the Ninth Century. According to the libretto the ballet was based on the story of the Maiden's War as reffered to in Bohemian chronicals. In fact the actual story is scarcely to be found in it. There are several potential inspirational sources for this ballet and it is not clear yet what the initial one was. Today we have two librettos of the ballet at the disposal a translation of a Russian edition by Jan Reimoser and a French libretto. Both of them are treated with in this work. What is interesting is that they are not entirely identical. Finally the author summarises in a brief outline the productions on this subject that were mainly stage-managed in the area of the current Czech Republic, and she concludes by describing the development of the Maiden's War motif in Bohemian chronicals.
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Movement and actor
 Slezáková, Kristýna ; Kubicová, Ivanka (advisor) ; Kazárová, Helena (referee) ; Pacek, Martin (referee)
My diploma thesis continues in the studies of the actor´s dancing movement, which I started in the bachelor thesis. This time I am taking focus on the creating of a concrete choreographic piece for an actor in the area of a drama or a moving theatre. There are certain differences between the work with a professional dancer and the work with an actor. I try to define these differences, give them names and search for some ways how to better the cooperation with an actor. In the first part I define the terms I use specifically, in the second part I shortly speak about the improvisation and in the last one I bring in a few exercises which support the work with an actor. All the exercises and recommendations came out from my personal experiences and whole the thesis is ment as a kind of a manual which helps to make the choreographic process easier.
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National Repository of Grey Literature : 35 records found   beginprevious34 - 35  jump to record:
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