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Boredom in the film Untitled
Bernátková, Tereza ; Kratochvíl, Jaroslav (advisor) ; VACHEK, Karel (referee)
Based on a literature in the fields of psychology, visual anthropology and sensory ethnography the thesis examines boredom in film, especially the critical potential the boredom has. The key is the question, what happens in film if seemingly nothing is going on. Boredom in film is studied specifically on the example of Stephanie Spray's fims, anthropologist and filmmaker associated with Sensory Ethrnography Lab (SEL). Boredom is conceptualized as an interesting emotion encouraging sensing here and now. The thesis does not promote boredom, rather shows it as an sustainable approach towards audiovisual media and representation of the reality.
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Mitsuoka Kit Car Design
Kratochvíl, Jaroslav ; Zdařil, Zdeněk (referee) ; John, David (referee) ; Pelikán, František (referee) ; Zvonek, Miroslav (advisor)
A dissertation deals with small single-placed car body design (so-called microcar cathegory). The new design is based on the undercart and the engine of serial Mitsuoka Kit Car. Therefore the aim belongs to re-design tasks. Analytical part of the dissertation deals with two basic questions influencing the final draft. The Corporate identity at first and a problematic of the target group level of aesthetical perception linked to preferred design. On grounds of analysis the core values for new design have been set down. The particular values have been presented with the help of existing reference objects from the field of automotive design. This part also includes a questionnairy, which had been focused on prefered design conception. Due to low microcars topic awareness in Czech Republic, the questionnairy had informational character and the final design conception has been chosen on the base of functional aspects analysis. The final design development, shown on sketches and basic software renderings, is based on gradual steps that lead to the core values expression with regards to input parameters and basic design rules as well. The final design is introduced together with description of its technical solution and detailed design. The solution respects the mentioned target group and the institution Corporate Identity.
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Mitsuoka Kit Car Design
Kratochvíl, Jaroslav ; Zvonek, Miroslav (advisor)
A dissertation deals with small single-placed car body design (so-called microcar cathegory). The new design is based on the undercart and the engine of serial Mitsuoka Kit Car. Therefore the aim belongs to re-design tasks. Analytical part of the dissertation deals with two basic questions influencing the final draft. The Corporate identity at first and a problematic of the target group level of aesthetical perception linked to preferred design. On grounds of analysis the core values for new design have been set down. The particular values have been presented with the help of existing reference objects from the field of automotive design. This part also includes a questionnairy, which had been focused on prefered design conception. Due to low microcars topic awareness in Czech Republic, the questionnairy had informational character and the final design conception has been chosen on the base of functional aspects analysis. The final design development, shown on sketches and basic software renderings, is based on gradual steps that lead to the core values expression with regards to input parameters and basic design rules as well. The final design is introduced together with description of its technical solution and detailed design. The solution respects the mentioned target group and the institution Corporate Identity.
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The Look At Sudeten Germans In The Chosen Parts Of Documentary Series Descendants And Ancestors
Kratochvíl, Jaroslav ; Kubica, Petr (advisor) ; Vachek, Karel (referee)
Bachelor thesis analyses two chosen parts of standards propaganda documentary series Descendants and ancestors. To be specific, it concerns about pictures Neurosis of revanchism and Seeds of hate, which attends in terms to the problematic of the Sudeten Germans.
The work concerns on the basis of their analyzes ? going out from Marxist postulates ? the interpretation of the Sudeten question. It focuses also on the structure, used dramaturgy and film language, that this cutting documents use to reach for their propaganda purpose.
In total, this case studies gives a plastic and comprehensive look at ways, which were used by standards documentary film work to process historical facts and evens, including the political and standards targets, which should this pictures primary serve.
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