|
|
The use of improvisation in classical music
Košnarová, Zdeňka ; Filas, Juraj (advisor) ; Bartoň, Hanuš (referee) ; Bílý, Antonín (referee)
After a short introduction the concept of improvisation is defined and the thesis traces its development, forms and possibilities from the beginnings of music itself to the second half of the 20th century. The early beginnings of the development are captured in a brief summary. The explanation of the concept of jazz and basic types of jazz improvisation follows. The last - third - chapter deals with improvisation inartificial music of the second half of the 20th century, particularly the aleatory music and the so called improvised music. The thesis concentrates on the improvised music phenomenon in detail. Several subchapters explain the relation between improvised music and composition, space, visual arts, written scores, and the usage of traditional and nontraditional musical instruments in this music, and also form, feedback system and the improvised music reduction. The conclusion of this thesis reflects the use of improvisation in an original composition.
|
guest ::
RSS feed.