|
|
ACTOR AS A CREATOR OF SOUND COMPONENT IN A AUTHOR`S PROJECT
Kolman, Petr ; ČTVRTNÍK, Jan (advisor) ; ŠRÁMEK, Vratislav (referee)
The bachelor thesis contains a brief insight into the theory of music and sound on
the stage. Describes differences in the use of sound between specific types of
theater. It continues with the personal reflection of the author of the work and
describes his most crucial moments during his studies, when he met with the music
as an actor on stage, how he worked and how he benefited from it.
|
|
| |
|
|
HUMOUR AND RHYTHM
Jeřábek, Eliáš ; ADÁMEK, Jiří (advisor) ; ŠRÁMEK, Vratislav (referee)
In this bachelor thesis I aim to define basic relationship between rhythm and
humour and observe their connection in different theatre and other genres. In the
first part I focused on theoretical substance of both terms, then I contemplate on
their synthesis and application in the specific theatre work of mine.
v
|
|
|
The Impact of Study on my Personal and Dramatic Development
Kosková, Petra ; ADÁMEK, Jiří (advisor) ; ŠRÁMEK, Vratislav (referee)
In this master thesis I focused to summarize especially from my point of view the study at the Department of Alternative and Puppet Theatre. The aim was to describe the education and clarify the problems, which have occured during my study. Further to explain what impact had the study on my actor´s and personal growth and my exceptions to it. With this master thesis I also tried to illustrate the author´s work which arise during four-year study on DAMU
|
|
|
Puppets and Music
Solce, Matija ; ŠRÁMEK, Vratislav (advisor) ; MALÍKOVÁ, Nina (referee)
Based on my practical experiences, I connected different aspects of illusion and defined alternative version of puppet theatre, which I named ?theatre of illusive points?. On other side I took the musical way of my understanding of illusion and connected them in few examples of my own productions and events.
|
|
|
The Analysis of Motives and Rhythm in the West Side Story
Jankulárová, Michaela ; FRANZ, Vladimír (advisor) ; ŠRÁMEK, Vratislav (referee)
In first section this thesis is trying to explain the definition of "musical" and to sum up the brief history of American musical with accentuation of some important and interesting musical productions. Further it is trying to highlight some theatrical, musical-theatrical and pure musical genres from which the musical as we know it today draws. In the second section there is an attempt to define motives and rhythm of musical West Side Story based on analysis of the songs used in it. The main focus is on the songs "America" and "Cool". The songs are analyzed chronologically, with no intention to divide them by themes. The thesis is trying to find out the fundamental elements which are characteristic for each song or which are somehow important for the musical as a whole. 
|
|
|
Music as the servant, partner and boss of puppetry performance
Račková, Dana ; Krofta, Josef (advisor) ; Šrámek, Vratislav (advisor) ; Klíma, Miloslav (referee)
The work is a précis of general knowledge about the problem of stage music in the theatre and subsequent subjective view of the given problem with the accent on puppetry theatre. Authoress, on one side as a director on the other side as a theatre-goer, is trying, on the basis of acquired theoretical informations, to organize her own experience with using the stage music as a part of a sound component of the puppetry theatre. Work piece is the study of few musically interesting moments of the authoresses creative work history that is concerned especially in puppetry theatre and partly radio. Based on this chosen examples she is trying to deduce the rules that would be taken in consideration in her creative work as general. Subject of the work is not the sound component generally but stage music as its member. She examines its functions and roles during the creative process and result of the single staging too. She takes a think of concrete examples, when the stage music (so do whole sound component) is superior, secondary or equal to the other components (visual, actor´s...).
|
|
| |
|
|
The Czech Musical
Popelková, Barbora ; Neumann, Julius (advisor) ; Šrámek, Vratislav (referee)
In this thesis, I am attempting to look into the development of the Czech musical, especially from its early rocketing start in the 1990s up to the present. To do so, I had to define musical as a genre, its roots and its relationship to operetta it´s so often being linked and compared to.
I try to answer the questions of what the new things musical brought to theatre operetion in the country, whether the genre still stands a chance to free itself from purely commercial sphere, and what artistic ambition the musical has in Czech environment.
|
guest ::
RSS feed.