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Návrh konstrukce zastávky městské hromadné dopravy
Štegner, Jiří
This work's aim is to unite all the material sused for public transport station's construction and for proper small building made from wooden materials. It is necessary to think out construction which would fit to chosen locality and then correctly apply usually available materials. The construction should be drawn in producer's documentation for possible production. Than it is necessary to create visual image and create financial offer. That means how financially demanding the work is. It is also necessary to evaluace measure of possible investment.
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Fantastic Narrative of Dino Buzzati
MACHOVÁ, Taťána
The aim of the bachelor thesis is to introduce fantasy works by Dino Buzzati, The Tartar Steppe and Sessanta racconti. The thesis is starts with an introduction to fantastic literature, than follows a practical part devoted to a description of three short stories from Sessanta racconti collection. The practical part depicts the narrative structure with its fantasy motifs and their particular processing. The last part interprets a motif analysis of The Tartar Steppe emphasizing the motif of a pact with the devil.
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The Role of Music as a part of a multimedial project
Hájek, Jiří ; Kurz, Ivan (advisor) ; Filas, Juraj (referee) ; Zouhar, Vít (referee)
The dissertation thesis Role of music as a part of a multimedial project explains,
after a short introduction, the meaning of Multimediality. It explores the main
inspirational points of this topic and the development of some of its disciplines which
in the main principle work on this basis within the historical frame of Musical Arts. The
main article of this dissertation discovers the means of expression of musical part in
multimedial project and tries to produce evidence for theoretical statement using the
attached set of notographic samples. The conclusion comprises a summary of the
dissertation as a whole and recapitulates the steps taken through the research of the
given topic. The work is followed by a list of used literature.
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The Tikkanen - Kihlman debate. Prelude. Works - reception - polemics
Dlask, Jan ; Parente Čapková, Viola (advisor) ; Čermák, Jan (referee) ; Gáborová, Margita (referee)
Henrik Tikkanen (1924 - 1984) and Christer Kih1man (bom 1930) are so called Fin1and-Swedish writers: they belong to the Swedish minority in Fin1and and they both write in Swedish. In genera1 they are viewed as authors who describe - and often go into rather intimate detail s - the "Fin1and-Swedish decadent upper c1ass". In the autumn 1975 Tikkanen pub1ished his autobiographica1 text Brandovagen 8 Brando Tel. 35 and Kih1man brought out his novel called Dyre prins. Both of the books are reviewed in the main Fin1and-Swedish newspapers and subsequently they provoke some discussions, whi1st the 1argest po1emics is risen in the beginning of 1976 by the te1evision appearence ofboth writers. This thesis called "The Tikkanen - Kihlman Debate. Prelude. Works - Reception - Polemics" seeks to exp1ain the events of the autumn 1975 and of the fi.rst ha1f of the year 1976, conceming the reception of the both works and the interconnected 1iterary debates. On the methodo10gica11eve1 the thesis hand1es the materia1 thematically by the standard method "adfontes" (supporting too11 - question WHAT), whi1e the interpretation in the first p1ace as a generation revolt is perfonned by means of the theory of literary field, based on so called Pierre Bourdieu's French Socio10gica1 Schoo1 (supporting too12 - question WHY). A starting...
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International Market Production Strategies for Documentary Films
Císařová, Markéta ; Prenghyová, Andrea (advisor) ; Horská, Tereza (referee)
This thesis seeks to analyse a producer?s thinking about the making of a creative ducumentary on the international market. It aims to do so through the analysis of strategies used by specific producers in the Central and Eastern Europe.
The project describes the particularities in making the of as well as financing a creative documentary and its development in the last two decades. It examines the producer?s relationship towards the director and the extent to which he can creatively participate in the process of creation and the subsequent presentation of the film work. This thesis also tries to describe the choice of available production strategies which can very fundamentally determine the success or the failure of the film.
The term strategy describes a collection of personal practices and important decisions made by individual producers based on either their good intuition or an extensive experience. It could be described as a mosaic of skills that creates the art of production.
To achieve the objectives of the thesis, the chosen research method is based on facts and personal observations of the author. For the purpose of this project she choose four diffrent producers from the formel Eastern Block. All of them tend to think comprehensively about their work and often produce films for the international market; an ambition, that is also reflected in the funding of the projects. At the same time, they are all very renowned producers in their own countries, actively encouraging the domestic authors of mostly documentary films. Naturally, each of these producers has his or her unique approach to film production and this difference is the author?s main focus.
Selected producers: Jiří Konečný (endorfilm, Czech Republic), Martichka Bozhilova (Agitprop, Bulgaria), Anna Wydra (Otterfilms, Poland) a Alexandru Solomon (HiFilm Productions, Romania).
The data was collected from articles and publications but mainly in the form of interviews with the producers themselves and their local film makers. In an attempt to describe the film market in which the producers operate, each chapter is introduced with the characteristics of his homeland. This should help to set his work and thinking in the appropriate socio-economic context. An important part of the thesis represent the case studies of selected film producers. Here, the analyses of specific films are an attempt to better explain the issue. The characteristics of each producer helps to provide a deeper individual analysis, considering not just the nature of their work, but also their personal history and any other significant characteristics.
The creation of a how-to-become-a-successful-producer manual is certainly not the aim of this work. It is rather a deeper analysis of this profession based on the author?s personal observation. The project tries to compare different ways of producer thinking with the consideration of their advantages and drawbacks. Finally, it seeks to estimate the further direction and find out more about plans and visions of the contemporary producers of creative documentaries.
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The Map of the Czech literary Realism
GABRIELOVÁ, Barbora
The aim of my bachelor thesis is to compile and visualise the database of Czech realism in literature. The first part of the thesis deals with the term of realism. The following two parts capture realistic writings in Czech literature in the period from the beginning of the second half of 19th century to 1938 in the way in which they are presented in the texts Přehledné dějiny literatury české and Dějiny české literatury II, III, IV, which I have analysed. The fourth part of the thesis is my own interpretation of found data. There are also appendixes in the thesis which contain visualisation of realistic works.
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Liability of a Contractor in the Contract for Work in Investment Construction
Kazdová, Hana ; Štenglová, Ivanka (advisor) ; Čech, Petr (referee)
71 Abstract Thesis, as the title suggests, is focused mainly on the liability of a contractor resulting from contracts for work concluded by parties in order to execute large industrial works. Capital construction is economically significant branch of industry both from national and international perspective. Czech law regulates capital construction, as far as private law is concerned, mainly by Commercial Code in it's articles dedicated to general regulation of contract for work. Capital construction requires sufficiently detailed contractual arrangements of mutual rights and obligations. Detailed arrangements concluded by parties are necessary due to the complexity, technical, technological, time, material, financial and personal demandingness of the subject matter of work along with long-term character of mutual relations and high risk of amendment of legislation. Thesis deals with usual arrangements of contracts concluded by parties in practice related to the liability of a contractor in capital construction. Besides the thesis displays the amount of risk the contractors bear and the scope of their liability in case of breach of the contracted obligations. The most important terms used in practice are described in the introduction of the thesis. These terms originate from formerly valid Economic Code,...
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João Guimarães Rosa, Buriti: commented translation
Dufková, Vlasta ; Housková, Anna (advisor) ; Forbelský, Josef (referee) ; Burianová, Zuzana (referee)
Keywords: João Guimarães Rosa, Brazilian letters, translation poetics The aim was to translate the Brazilian language innovator's novel, add an interpretative commentary and draw conclusions pertinent to Rosaean studies and translation poetics. An introductory first chapter proposes an interpretation of the work in the literary history context. The translation itself attempts to reflect the musicality of the original while maintaining its semantic content. The third chapter analyzes its text with respect to the translation methods and strategies used, and is concluded with an overview stemming from critical reflection. Emphasis is placed on the problematics of poetic language and its translatability, the Mallarméan chance and necessity as well as motivation and arbitrariness of the lansign, and on the ratio of intentionality in translation. The text is analyzed in the light of Saussurean anagrams and the ensuing paragramatic theory as well as Derridaean différance, while the best appropriate to translating seems to be Meschonnic's concept of rhythm as well Mukařovský's semantic gesture. A proof has been established concerning closeness of the Benjaminean concept of translation and Rosa's quest for a "language of metaphysics". The Czech translation published in book form has won the Jungmann Prize...
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Prehistoric culture and birth of human imagination
Půtová, Barbora ; Soukup, Václav (advisor) ; Malina, Jaroslav (referee) ; Valde-Nowak, Paweł (referee)
The subject of this dissertation Prehistoric Culture and Birth of Human Imagination is an interdisciplinary analysis of creation, evolution and interpretation of prehistoric art. The work aspires to establish a new academic discipline temporarily referred to as "prehistoric art" as well as embracing the genesis of human creativity and imagination from the point of view of human sciences. The first part of the dissertation focuses on the phenomenon of so-called proto-art, i.e. non-utilitary artefacts created by hominidae in the Lower and Middle Paleolithic. That is why these artefacts are the subject of many scientific controversies concerning the issue of genesis of symbolic manifestations of human behaviour. In this context, paintings and drawings done by apes are analysed; some scientists believe they prove that no boundary line can be set between the man and other apes. This might be the reason why works of parietal Upper Paleolithic are considered to be the pivotal proof of genesis of human creativity. However, these works were questioned and criticised for their prehistoric authenticity at the end of the 19th century. The effort to understand the purpose and meaning of prehistoric artefacts is documented in a chapter discussing the history of interpretation, theories and hypotheses formulated on the...
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