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POSTMODERN THEATRALITY IN THE WORKS OF VILIAM KLIMÁČEK
Páleníková, Zuzana ; Král, Karel (advisor) ; Vedral, Jan (referee)
Viliam Klimáček is nowadays the most known and most successful Slovak playwright. He is also called The Slovak Chekhov. His career began in 1985, when he co-founded an amateur theater company GUnaGU in Bratislava where he started as an actor, musician, director and co-author. As time went by, GUnaGU became professional and Klimáček left his original occupation ? medicine. The poetics of his plays and the artistic style of the company influenced each other through the years and became interdependent. Both show obvious signs of what we can call postmodern aesthetics. In this work we try to analyze the specificity of Klimáček?s and GUnaGU?s style and we try to place it in some larger context. This analysis is not only based on theoretical research but also on a practical experience of directing one of his plays ? Maria Sabina.

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