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Digital Climate II.
Sidlárová, Kristýna ; Jansa, Jakub (referee) ; Šrámek, Jan (advisor)
In the diploma thesis Digital Climate II. I'm dealing with the representation of the relationship between physical and virtual matter. The final presentation will take place via video installation in a non-gallery environment. In the work process, I record my own experience of gradual work with the processes of influencing the physical mass of ceramic clay and virtual mass software interfaces. The subject of the work is a remediation of physical ceramic material, whose raw materiality is supported by its absence of glaze or any other noble surface treatment, which could be considered a certain metaphor of today, beautifying AR face filters on social media, Photoshop and unattainable standards of beauty and falsely promoted products.
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Holographic Hieroglyph
Sobotková, Adéla ; Havlíček, Jiří (referee) ; Cenek, Filip (advisor)
Topics fragmentary , symbolism and memory are the basic elements of creation and thinking Adele Sobotková (1987 ) . In her installation made of clay and covered with a udusaných objects together with the soil can walk, touch , read, intervene . This raises a cryptographic magical space full of mysterious objects in the video that represent clusters of personal hieroglyphic symbols and structures without the possibility of accurate decryption. These enigmatic characters are like glass or water , are changing , floating landscapes and refer to feelings of uncertainty, and forgetting the past, which is not entirely clear - is revealed as a mirage . Hologram is a representation of reality or reality that no longer exists but in time, or never existed , dream hi - technology , the current symbol of immortality, infinite and preservation in time. " Holographic hieroglyph " is a fluid phenomenon with varying meanings depending on its reading , the transcript or constant metaphor memories and the zpřítomňování hand in hand zpřítomňování a revival oblivion . Unclear character that has certainly not decipher , and yet we have it all in front of him , we see him from all sides , but also through him is the present and yet unreal . Great recording of uncertainty. (press release of the exhibition Holographic Hieroglyph in the Youth Gallery in Brno)
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Inside the Surroundings
Ryneš, Zdeněk ; Vojtěchovský, Miloš (referee) ; Klímová, Barbora (advisor)
The topic of this diploma thesis is a form of own personal space which is confronted with scene visuality used in film industry. It is about linking an existing and fictive (illusionary) environment. I can see the cinematographic space as an image of its physical equivalent. I do search for scenes in existing movies, which are charting the interiors of environments, where the movie is being set. I do use the camera moves and the ways of seeing the immediate surroundings as they are used in those scenes and I repeat them in my own private apartment. Screenplay structure comes from my apartment dispositions. The final dual channel video leads the spectactor through two levels of space in the same time.
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Videoart / New possibilities of public installation
Zemková, Apolena ; Pfeiffer, Jan (advisor) ; Magidová, Markéta (referee)
This bachelor's thesis will focuses on installation art and its relation to space and spectators. The work will describes the development and strategies used for intensifying the meaning, perception and emotion. Spacial design and installation art as didactic techniques in education. Realization of a spatial installation working with the theme of space, size, time and feeling. In the theoretical part, I gradually mapped the artists of modern art from the middle of the 19th century to the 20th century and examined the medium of installation in relation to space in general, gallery and non-gallery space and in relation to the viewer. I tried to find out how the size and method of installation, the relationship, meaning and intensity of the work change. I also studied the development of techniques and strategies in the field of installation and video installation with an emphasis on current trends. In the practical part, I created an author-didactic teaching article in the form of video art, which, outside its historical-artistic context, works with the theme of dimension, time and experience. In my work, I created a brief list of artists who I feel touched on my topic, and I also looked for connections with today's artists. Thus, I developed an interpretive teaching position, which works in a way to...
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Digital Climate II.
Sidlárová, Kristýna ; Jansa, Jakub (referee) ; Šrámek, Jan (advisor)
In the diploma thesis Digital Climate II. I'm dealing with the representation of the relationship between physical and virtual matter. The final presentation will take place via video installation in a non-gallery environment. In the work process, I record my own experience of gradual work with the processes of influencing the physical mass of ceramic clay and virtual mass software interfaces. The subject of the work is a remediation of physical ceramic material, whose raw materiality is supported by its absence of glaze or any other noble surface treatment, which could be considered a certain metaphor of today, beautifying AR face filters on social media, Photoshop and unattainable standards of beauty and falsely promoted products.
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Paper, pencil and dad, mom
Bartošová, Michaela ; Pfeiffer, Jan (advisor) ; Raudenský, Martin (referee)
TITLE: Paper, pencil and father, mother AUTHOR: Michaela Bartošová, Bc. DEPARTMENT: Department of art education SUPERVISOR: MgA. Jan Pfeiffer ABSTRACT: The diploma thesis examines different forms of humor through the eyes of selected theorists, artists or myself. It highlights the importance of humor in both life and teaching. Humor is seen as a tool, providing choice. It allows asking questions indirectly, it helps relieving the pressure or stress and develops creativity. It disrupts too serious social structures and thus revives itself. The objective of this thesis to defend the positive impact of humor on society, family, and teaching. I started thinking more about humor when I moved from my family. I missed its humor so much, and I realized, how important factor in life it is. This created an installation that captures family atmosphere, in which humor naturally arises. I reflect my relationship with my family, that has always been my big inspiration. At the very beginning, there were drawings from my diary captured in Prague, from my time when I was away from my home. Subsequently, audios recorded during family lunches. Nobody knew about them, so in the final version of the video installation I give a true picture of humor in my home. Pedagogical use presents class proposals which intentionally use...
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Video art and public space
Shcherbak, Viktoriia ; Pfeiffer, Jan (advisor) ; Magidová, Markéta (referee)
The work deals with video art and issues related to the presentation of video art in gallery and non-gallery spaces. The theoretical part defines the basic concepts such as new media, analog and digital video and video art, and then examines the polymorphism of video as a medium influenced and modified by other media. The final section is devoted to spatial forms of video art, such as video performance and video installation, and explores the special aspects of video in three-dimensional space. In the practical part, I carry out a survey (N = 65) of viewers' attitudes to space and video art. Respondents preferred experiencing video art in a dark, "cinema-like" room over other given options (in order of popularity: spatial video installation in a gallery, YouTube and video projection in a public square). The most important characteristics of video art spaces for respondents were: good acoustics, high video resolution projection and affordability of access.In the final section of the practical part, I describe and realize a series of video installations and performances, working with experimental ambient music, video installations and non-gallery spaces. The didactic part of the work summarizes the advantages of using video art in school, specifically in art lessons, and presents a design for a...
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Ján Mančuška and acquisitions of the Gallery of Fine Arts in Ostrava in 2018
Galerie výtvarného umění v Ostravě
Galerie výtvarného umění v Ostravě (GVUO) se v loňském roku zapojila do akvizičního projektu Ministerstva kultury České republiky. GVUO se i díky tomu podařilo v loňském roce zakoupit více než 160 uměleckých položek do galerijních sbírek v řádu milionů korun. V letošním roce proto GVUO zahajuje cyklus výstav ZISKY 2018, který bude po několik let prezentovat nové nákupy GVUO. První výstava s názvem (KON)TEXTY Jána Mančušky bude zahájena v úterý 22. ledna v 17 hodin. V Domě umění, GVUO bude k vidění do 24. března.
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