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Islamic terrorism in US film: how we construct our own enemies
Kotvalová, Anna ; Záhora, Jakub (advisor) ; Ditrych, Ondřej (referee)
CHARLES UNIVERSITY FACULTY OF SOCIAL SCIENCES INSTITUTE OF POLITICAL SCIENCE DEPARTMENT OF INTERNATIONAL RELATIONS Islamic terrorism in US film: how we construct our own enemies Master's thesis Author: Bc. Anna Kotvalová Study programme: International Relations Supervisor: Mgr. Jakub Záhora, Ph.D. Year of the defense: 2019 ABSTRACT The presented diploma thesis is concerned with the discourse and narratives of the phenomenon of terrorism in the American cinema, produced after 9/11 and its reflection on the events within the War on Terror. This thesis rests on two major theoretical realms, Critical terrorism studies and the interconnection between popular culture and the world of politics. This thesis addresses three American mainstream films produced after 9/11, Zero Dark Thirty, Lone Survivor and American Sniper in order to analyse the discourse and narratives which refer to the antagonists in these movies (more specifically, the discourse and narratives which portrays justification for the American behaviour within the War on Terror) and to address the political consequences of this kind of discourse. This thesis defines four major repetitive patterns in the discourse: humanization of the "American side", dehumanization of the antagonists, depiction of torture and violence and lack of context and concludes...
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Islamic terrorism in US film: how we construct our own enemies
Kotvalová, Anna ; Záhora, Jakub (advisor) ; Ditrych, Ondřej (referee)
CHARLES UNIVERSITY FACULTY OF SOCIAL SCIENCES INSTITUTE OF POLITICAL SCIENCE DEPARTMENT OF INTERNATIONAL RELATIONS Islamic terrorism in US film: how we construct our own enemies Master's thesis Author: Bc. Anna Kotvalová Study programme: International Relations Supervisor: Mgr. Jakub Záhora, Ph.D. Year of the defense: 2019 ABSTRACT The presented diploma thesis is concerned with the discourse and narratives of the phenomenon of terrorism in the American cinema, produced after 9/11 and its reflection on the events within the War on Terror. This thesis rests on two major theoretical realms, Critical terrorism studies and the interconnection between popular culture and the world of politics. This thesis addresses three American mainstream films produced after 9/11, Zero Dark Thirty, Lone Survivor and American Sniper in order to analyse the discourse and narratives which refer to the antagonists in these movies (more specifically, the discourse and narratives which portrays justification for the American behaviour within the War on Terror) and to address the political consequences of this kind of discourse. This thesis defines four major repetitive patterns in the discourse: humanization of the "American side", dehumanization of the antagonists, depiction of torture and violence and lack of context and concludes...
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