National Repository of Grey Literature 5 records found  Search took 0.01 seconds. 
Výtvarná koncepce filmu "Rudý Mor" podle knihy Jacka Londona. Postapokalyptické filmy, historie a příklady ve světové kinematografii.
Šonková, Stella ; KOČÍ, Jindřich (advisor) ; VLASÁK, Jan (referee)
The thesis deals with a visual concept for a feature film based on the novel „The Scarlet Plague“ by Jack London. It consists of two parts: a theoretical part and a practical part, which contains author’s own design for the film. The first, theoretical part describes the history of the genre, and analysis the visual concepts of a few post-apocalyptic films that are relevant to the concept chosen for „The Scarlet Plague“, particularly Rise of the Planet of the Apes (director Rupert Wyatt, 2011), Dawn of the Planet of the Apes (director Matt Reeves, 2014), Waterworld (director Kevin Reynolds, 1995), I am Legend (director Francis Lawrence, 2007), Mad Max: Fury Road (director Georges Miller, 2015). In the second, practical part, the approach to the concept of „The Scarlet Plague“ is described and accompanied with the visual execution of selected scenes.
The artistic approach to the film „inhabited island“ based on a novel by Arkady and Boris Strugatsky, a sci-fi film genre of russion cinematography.
Astakhova, Anna ; KOČÍ, Jindřich (advisor) ; IBLOVÁ, Radmila (referee)
The aim of this diploma thesis is the artistic and theoretical elaboration of the film of the genre of science fiction according to the book of Arkadije and Boris Strugacki. The thesis consists of two main parts, the theoretical and the own design of an art concept. The theoretical part deals with the definition of the science fiction genre, its historical development and also the analysis of creative approaches in the appearance of a foreign planet or the world of the future in Russian cinematography. I decided to analyze the variety of approaches in several selected films, where I focused on their art page, the use of the atmosphere and the film environment. The artistic part of the work contains its own art concept of the film.
An Artistic Approach to the Film “1984“ Based on the Novel by George Orwell. Dystopia and Totalism in the Czech and World Cinematography.
Othmanová, Sofie ; IBLOVÁ, Radmila (advisor) ; BORÁROS, Henrich (referee)
The topic of this diploma thesis is the antiutopia and totalism in the Czech and world cinematography and it elaborates the proposal of an artistic approach to the film Nineteen Eighty-Four based on the novel by George Orwell. The theoretical part of this thesis deals with the definition of the relationship between antiutopia and totalitarianism, their characteristic features and how they manifest themselves in the cinema. This phenomenon is discussed in more detail in the folowing analysis of selected films in terms of their visual and production values. The second part of this thesis looks into the artistic approach to the film. The concept elaborates an urban design as well as individual exterior and interior sets and proposal of their designing.
THE ARTISTIC APPROACH TO THE FILM „THE BRIGANDS OF RATTLEBORGE“ BASED ON A SCRIPT BY S. CRAIG ZAHLER, A WESTERN FILM GENRE, HISTORY AND EXAMPLES OF WORLD CINEMATOGRAPHY.
Strnadová, Marie ; NEKVASIL, Ondřej (advisor) ; KOČÍ, Jindřich (referee)
Purpose of the thesis is a visual and theoretical approach to western genre script of movie The Brigands of Rattleborg based on a novel „The Brigands of Rattleborg“ by Craig S. Zahler. Thesis consists of two main parts, theoretical and one's own design of the visual concept. Theoretical part contains a definition of western genre and its issues, historical overview with important milestones and a list of main subgenres. The visual part contains three analysis of creative approach to western movies produced after year 2000. This part of thesis is concluded with one's own visual concept of the movie and its detailed description.
CONCEPT DESIGN FOR FILM "RONNIE ROCKET OR The Absurd Mystery of The Strange Forces of Existence", BASED ON THE SCREENPLAY BY DAVID LYNCH AND VISUAL WORLD OF DAVID LYNCH'S FILMS
Mayerová, Anna ; NEKVASIL, Ondřej (advisor) ; IBLOVÁ, Radmila (referee)
Abstract The main content of my master degree work is the concept design for film based on unpublished screenplay by David Lynch. The master degree work consists of practical and theoretical part. The theoretical part, called Visual World of David Lynch's Films, points out the influence of cultural environment, inspirations and art on visual style of his films. It finds out elementary symbols from his cultural enviroment and demostrates the way, how David Lynch use these motifs in his films. In the film analyzes, there have been found some more visual elements, which became part of David Lynch's visual style. The practical part presents my own concept design for film based on the screenplay "RONNIE ROCKET OR The Absurd Mystery of the Strange Forces of Existence" by David Lynch. The practical part includes Screenplay synopsis, graphic part, breakdown nad visual reference.

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