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Contemporary music documentary trends in Slovakia
Maletzová, Soňa ; RŮŽIČKOVÁ, Alice (advisor) ; GOGOLA, Jan (referee)
This work is focused on the phenomenon of contemporary music documentaries produced in Slovakia. It explores four significant films made in the last decade - Steam On The River, This Is Not Me, Juro and Hrana. The work describes their content and style, the circumstances following their filming and their social and cultural context and impact.
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Reception of Slovak Czech film in the Press in the period 1948 - 1969 (with special attention to the image of the Germans)
Racik, Marek ; Klimeš, Ivan (advisor) ; Přádná, Stanislava (referee)
My thesis focuses on the reception of Slovak fiction film in the Czech press from 1948, the year when Slovakia started to produce their own fiction films regularly, until 1969, when the social changes after the occupation of Czechoslovakia by the Warsaw Pact troops ended the whole period. There was a notion in the Czech society that Czechoslovak film is a Czech film and the thesis focuses on this notion as it was understood by the Czech film critics. My goal is to find and explain, when and how the Czech film journalism started to recognize the differences inside the Czechoslovak film and pointed out the unique identity of the Slovak film in the Czech press. Furthermore, I examine how the Slovak film was rated by Czech film critics in the Czech film scholar press, film magazines and newspapers. The first part of the thesis examines the Czech-Slovak relations in the light of newly established Slovak fiction film. The second part focuses on the complex approach of the Czech film critical journals towards Slovak film, influenced by the state power between the years 1948 - 1960. The third part reflects the appearance of the topics concerning SNP and the so called Slovak New Wave, which lasted during two separate periods between the years 1960 - 1969. Powered by TCPDF (www.tcpdf.org)
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Metamophosis of slovak auctorial documentary film and its society reflexion
Nvotová, Tereza ; Ridzonová-Ferencuhová, Mária (advisor) ; ŘEZNÍČEK, Martin (referee)
Slovak documentary film, as well as the slovaks themselves, were searching for identity. This way was limited and signed by politic regimes, or financial and institutional restrictions. The work will follow auctorial creative documentary films which were reflecting current society. It's not only tendentious critic movies, in what were slovak directors developing during that time. They were touched by the different eras and different teachers/older directors. Thats why is this work analyzing the period of time from the end of seventies till nowadays ? the period of time where everything was changing ? styles, regimes, possibilities, but also where started some kind of continuity of slovak documentary poetics.
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