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Macbeth
Podara, Eleni ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
Tato práce dokumentuje Scénická a kostýmní procesu navrhování pro výrobu divadelním představení Shakespearovy hry Macbeth jako vyrobené Pražského shakespearovské společnosti.Výroba byla provedena v Divadle Kolowrat, od 07.11.2013 do 22.listopadu 2013. Navíc produkce cestoval do Houstonu v Texasu v Rice Village divadle Main Street Theater společnosti. Je tam hráli od 27. února do 9. března 2014. Tato práce zahrnuje analýzu hry a postavy a popisuje podrobně proces návrhu a provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu jsou k dispozici.
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J.P.Sartre´s the Flies
Soulioti, Maria - Ioanna ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
This thesis provides a written record of the oveall stage design process, an analysis of the process and results that ensued from J.p.Satreś The Fliies. Varous observations about contemporary society combined with Satreś theories on Existentialism giving the necessary backgournd for the design aspect of my work. It includes my personal analys of the play throughout all the major dramatic situations along with sketches and photographs providing details on my final design..
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ILLUSTRATION X STAGE
Bartůňková, Tereza ; SMOLÍK, Robert (advisor) ; BAŽANT, Jan (referee)
The aim of this bachelor's thesis is to analyze the issue of illustration, its relationship to scenography and its function in the theatrical context. The work focuses mainly on illustration as a phase in the creative process and its transformation into language on stage. The bachelor's thesis is composed of two larger text units and an appendix containing images. The first part of the work provides an explanation of the term illustration, a historical context, a general overview of the issues related to illustration and the stage, important figures related to illustration, as well as the author's own perspective on this topic. The subjective nature of this work lends more space to the second part, in which the author's own scenographic practice serves as a demonstration and elaboration of the theoretical findings as described in the first part. Indeed, practical experience in the field can effectively represent the claims, which would not fully convey the meanings if they remained only in the theoretical realm. The bachelor's thesis is permeated with images that illustrate the written passages accordingly. Documentation of the auteurial theatre performance Korvína is attached at the end of the work.
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Richard Wagner´s Parsifal
Lundius, Janna ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
The purpose of this thesis is to present a context and background to thepractical design aspect of my work. I considered this project to be anexperiential journey in search of a way to make Wagner's Parsifal relevantand interesting in relation to my own life and personal sensibilities. My aimwas to use the music as my guide and my hope was to reach a scenographicsolution by following my intuition. This project has been an important step inmy development as an artist and designer and I feel it has strengthened thebond between my conscious and subconscious mind, giving me theconfidence to trust my feelings and harness them to come up with innovativeinterpretations translated into inventive designs
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