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The Aesthetics of the Family Album: The Overlapping Snapshots and Documentary Photography
Harciníková, Alena ; Lábová, Sandra (advisor) ; Géla, František (referee)
The aim of the bachelor's thesis was to document the author's relationship with her mother in a photobook called Máma. The relationship between mother and daughter always has many layers. The practical part in the form of a photo book aims to document it through photographs and notes taken from diaries that the mother has kept for over twenty years. The theoretical part reflects on the photographic elements used in the practical part and places them theoretically in context. It explores the family snapshot and its veracity. It studies the collective memory of the family, asking and answering the question of repetitive narratives in family albums. It also analyses two collections of photographer Marie Tomanová that can be classified as family art photography.
Jitters
Schrijversová, Tereza ; Spáčilová Blažková, Kateřina (referee) ; Fišerová, Lucia (advisor)
In her bachelor's thesis, the author will focus on working with the photographs of her family archive, which she uses in her artistic practice. This archive depicts the author's past. In her work, the author will subjectively reflect on the possibilities of perceiving pictorial memories as two separate, ephemeral realities for which we cannot confirm or deny their reality. At the same time, she wants to avoid the possible patheticness that working with archives tends to lead to, which is why she will use more media than just a single photograph. The artistic space he will create should serve for subjective contemplation of the pictorial medium whose affinity between reality and a certain interiority denies the exclusivity of only one reality. It accentuates here a kind of leaving a trace whose stratification refers to the psychological development of the personality in its inherent features. The aim of the work will be a multimedia installation using not only the aesthetics of original cinema films.This opens up the possibility of working with the film material itself, as a carrier of visual information, as well as its digital copy. The subsequent combination of these media will bring the viewer closer to the intimate interior of the artist herself. The work will be realized in a gallery environment, but it can also be set in a less formal setting.

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