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Position of Czech Documentary Photography During the Normalization Era
Folk, Čeněk ; VANČÁT, Pavel (advisor) ; Ledvina, Josef (referee)
The subject of my thesis is the position of Czech documentary photography during the normalization era in Czech territory. The term "position" encompasses several aspects of review: political and creative conditions under which the Czech documentary photography was originating; its status within the photography as artistic discipline and within other artistic disciplines; thinking about documentary photography and its changes over time; social application of documentary photography and its impact on society and, last but not least, its impact on political events. In the 70s and 80s the Czech documentary photography reached the greatest expansion, despite the uneasy political background. My thesis examines (among other things) how, why and under what circumstances this boom occurred.
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Children Theatre in Podblanicko
Dudová, Kateřina ; PROVAZNÍK, Jaroslav (advisor) ; MACHKOVÁ, Eva (referee)
This diploma thesis deals with the repertoire of children ensembles of Podblanicko region up to 1989 and focuses on their genre and thematical range, quality of texts and the alterations of the repertoire in the context of political, cultural and social changes. The thesis is divided into five parts, according to different historical periods: 1st the time period up to 1918, 2nd the time period between the World Wars, 3rd Occupation and the Second World War, 4th the Freeze and Thaw , 5th Normalization. Firstly, each of these parts presents historical context, education system of Podblanicko region in the national context and development of contemporary literature for children and youth. Then it concentrates on the actual research of children theater in Podblanicko region.
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THE IMAGE OF DISSIDENT IN CZECH DOCUMENTARY FILM AFTER 1989
Kohout, Martin ; VACHEK, Karel (advisor) ; HENDRICH, Vladimír (referee)
The work is attempting to describe the mental image of a dissident, the way it was most oftenly interpreted in the post Velvet revolution period films known to the public or regularly shown on the televion screens. For this purpose was chosen 53 films, which were devided according to their general interpretation and impression. I followed with an analyzation of the montage and bulding elements, that are used in these films, most oftenly shaping the opinion of the general public. The interpretations and contents of these films were compared to the results of the social-sientific research on the nature of normalization period and the dissent. Also these generally popular films were compared with the works standing outside of the mainstream documentary film, about the topic of dissent or previous regime in general.
This theses is therefore refering to the problems of interpretation of the previous regime, normalization and the role of dissent in czech society.
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