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Teaching of Mime theater in Slovakia
Kasprzyk, Tomáš ; HALAŠ, Adam (advisor) ; MUSIL, Dušan (referee)
Master’s dissertation about Teaching of mime in Slovakia is logical sequel to my
bachelor’s studies dissertation about Festival PAN. The dissertation begins with a
brief summary of some major slovak mimes and a new generation growing up at
Academy of Performing Arts in Prague. After pointing out the diversity and vitality of
slovak mime scene dissertation passes to the standing of mime art in slovak school
system, compares it with czech school system and ends with chapter about the
Association of professional mimes of Slovakia. My sources were mainly interviews
with slovak mimes and pedagogues of basic art schools, conservatories and
Academy of Performing Arts in Bratislava and the official documents of Slovak and
Czech Republic concerning art education. My inspiration was the founding of AMIS
association and festival PAN Art, both of which shift the perception of mime closer to
mime of today. With my education, which I acquired on Academy in Prague and my
experience in art and pedagogy I am an active member of the association and I act
as judge at the PAN Art festival and my goal as well as goal of this dissertation is to
provide a new perspective in the view of slovak mime and it’s teaching methods.
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Space as a partner
Josefi, Zdenka ; ELIÁŠOVÁ, Bohumíra (advisor) ; KNYTLOVÁ, Veronika (referee)
The aim of my diploma thesis is to introduce and explore the theme of space from multiple angles and to offer possibilities of its use during a performance preparation/production. The introductury part is dedicated to a definition of terms concerning a space and also brings important informations from a historical point of view, tendencies and overlaps to the present days. Further I tried to clarify a spatial inteligence concept, proxemics and basic rules of composition, which are an integral part of the topic. In the main part of my thesis I introduce a view of my own work with a space based on a description of a preparation of the performance Sofia.
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Magic and Clown
Drábová, Zuzana ; CAPKO, Štefan (advisor) ; CIHLÁŘ, Ondřej (referee)
This bachelor thesis' main goal is to define the relationship of the clown to magic. It delves into the search for the character of the magical clown through theory and experience in clowning and magic. It describes what the magician and clown have in common and what sets them apart. The aim is to look into the frail existence of the clown, which is magical.
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MIMOZA
Vnouček, Jonatan ; BYČEK, Alexej (advisor) ; SOPROVÁ, Jana (referee)
The thesis focuses on the pantomime theater group MIMOZA in the political context of 1970’s and 1980’s and the influence of this historical period on the group productions. Thesis utilizes the method of semi-structured interview and it asks: to what extent the political situation influenced the production of the group. The thesis mentions an example of improvisation with the name of the play: Harakiri or ikebana. This particular play was performed only once and then banned. The example of this play shows that even though the members of the theater group saw themselves as apolitical, the political situation of the period did influence MIMOZA’s work.
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FILLING A MOVEMENT SCORE
Debnárová, Barbora ; HORÁK, Roman (advisor) ; SOPROVÁ, Jana (referee)
This master thesis highlights one way of specifying a relationship of topic and content in the present mimical theatre. Most importantly it deals with finding, creating and functioning of body expression form. It comes from an analysis of graduation (master) performance Uroboros and on the basis of the analysis it names some of principles, with which the actual movement theatre works-
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Light design in nonverbal theatre
Stará, Eva ; CAPKO, Štefan (advisor) ; SOPROVÁ, Jana (referee)
This thesis concentrates on the subject of light design and its application in nonverbal theatre. This thesis introduces the different technical and esthetic possibilities and techniques when working with light in such a way so that one can precieve its versatility and use it in ones own production. Its aim is to simplify communication and work with the light designer.
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