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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Sonnenfels´ weekly magazine analysis in a wider interpretative criterion. Theresie und Eleonore
 MEZEROVÁ, Veronika
After the bachelor thesis The Sonnenfels´ weekly moral women´s magazine Theresie und Eleonore, the diploma thesis Woman and women culture in moral magazine Theresie und Eleonore represents another result of the Sonnenfels?s weekly magazine analysis in a wider interpretative criterion. Theresie und Eleonore. The object of this thesis is not only the classification of this magazine into the European context, but mainly the construction of a model of Sonnenfels?s vision of a woman and her culture. In the first part, the development of European moral magazines together with the classification of Theresie und Eleonore among moral magazines for women are briefly described. Another part analyses particular editions and the features that determine the affiliation of Theresie und Eleonore with its genre. The central part focuses on Sonnenfels?s modeling of woman, therefore on the different types of women and moral models, which he created in his own weekly magazine. An important element of the central part is Sonnenfels?s creation of an artificial women culture.
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The Sonnenfels´ weekly moral women´s magazine Theresie und Eleonore
 MEZEROVÁ, Veronika
As the title itself suggests, the bachelor´s work called The Sonnenfels´ weekly moral women´s magazine Theresie und Eleonore pursues a weekly moral magazine Theresie und Eleonore issued in 1767, 1773 and 1784. Its author Joseph von Sonnenfels was a jurist of the Enlightenment, a reformer and an intellectual. Theresie und Eleonore is one of his lesser-known magazines which was considered a women´s magazine and describing the women´s world. The main characters are named after Sonnenfels´ wife and her sister Eleonore. Initially the magazine had been regarded as a work of two women - the main characters. Later, Sonnenfels owned up to his work. The constituent parts of my work are the author of the magazine, the form of particular copies and the Sonnenfels´ fictitious authorship. His life and work is set into the cultural context of his time and Theresie und Eleonore is shown as a typical example of the Enlightenment era. The following chapter concentrates on particular editions of the magazine which was published three times in three slightly different editions in the 18th century. The chapter examines the forms of individual issues and their differences. The last part of my work pursues the Sonnenfels´ fictitious authorship which is especially interesting in the fact that the authors were supposedly women. The particular elements of the fictitious authorship are analysed in the order as they were set by Sonnenfels. It concerns the fictitious characters, letters and narration.
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