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Mass compositions by Antonio Caldara in Prague
Veverka, Karel ; Niubo, Marc (advisor) ; Jakubcová, Alena (referee)
Each of the three parts of the present thesis treats one aspect of researching Antonio Caldara's masses written in Prague. Chapter One maps the current state of research and relevant basic sources on the Czech territory. Chapter Two focuses on a detailed description and following collations of Caldara's seven masses, quite exceptionally obtained from the musical collection of the Knights of the Cross with the Red Star, with other concordant sources. Examples of watermarks and manuscripts can be found in the Attachment. The partial analysis of selected masses described in Chapter Three serves as a complement to the research of sources. Much attention is given to the macro-structural division of mass compositions in relation to the liturgy.
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F. V. Habermann: Philomela pia, sive missae sex
Ostřanská, Kateřina ; Niubo, Marc (advisor) ; Veverka, Karel (referee)
This bachelor thesis deals with the mass cycle Philomela pia by František Václav Habermann (1706-1783), a composer being nowadays mentioned primarily in connection with G. F. Handel, who used some of Habermann's music fragments in his own works. The paper summarizes the present knowledge of Habermann's biography and works, listing all the source materials of this mass cycle as well, but the central focus is on two analytical chapters. The first of them attempts to cover the basic parameters of Habermann's masses and puts them to the Central European as well as Italian musical context, the second one contains a detailed study of the technique and the extent of Handel's reworkings of Habermann's music, together with a comparison of the compositional techniques of both composers. An edition of five masses from the cycle is included. Key Words F. V. Habermann, Philomela pia, mass compositions, concertato mass, 18th century, G. F. Handel, Jephtha, borrowings, music analysis
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F. V. Habermann: Philomela pia, sive missae sex
Ostřanská, Kateřina ; Niubo, Marc (advisor) ; Veverka, Karel (referee)
This bachelor thesis deals with the mass cycle Philomela pia by František Václav Habermann (1706-1783), a composer being nowadays mentioned primarily in connection with G. F. Handel, who used some of Habermann's music fragments in his own works. The paper summarizes the present knowledge of Habermann's biography and works, listing all the source materials of this mass cycle as well, but the central focus is on two analytical chapters. The first of them attempts to cover the basic parameters of Habermann's masses and puts them to the Central European as well as Italian musical context, the second one contains a detailed study of the technique and the extent of Handel's reworkings of Habermann's music, together with a comparison of the compositional techniques of both composers. An edition of five masses from the cycle is included. Key Words F. V. Habermann, Philomela pia, mass compositions, concertato mass, 18th century, G. F. Handel, Jephtha, borrowings, music analysis
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Mass compositions by Antonio Caldara in Prague
Veverka, Karel ; Niubo, Marc (advisor) ; Jakubcová, Alena (referee)
Each of the three parts of the present thesis treats one aspect of researching Antonio Caldara's masses written in Prague. Chapter One maps the current state of research and relevant basic sources on the Czech territory. Chapter Two focuses on a detailed description and following collations of Caldara's seven masses, quite exceptionally obtained from the musical collection of the Knights of the Cross with the Red Star, with other concordant sources. Examples of watermarks and manuscripts can be found in the Attachment. The partial analysis of selected masses described in Chapter Three serves as a complement to the research of sources. Much attention is given to the macro-structural division of mass compositions in relation to the liturgy.
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