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Searching for Physical Presence in the Process of Creation
Hanušová, Eliška ; NOVÁK, Vladimír (advisor) ; TRPIŠOVSKÝ, Lukáš (referee)
This work deals with the physical presence of the actor on the stage during the rehearsal process and the subsequent performance itself. It is divided into two parts, the first dealing with the physical presence. In this section we write about developing physical skills and improving physical fitness. In the second part, it deals with the presence of mental, concentration, rest, etc. Through examples of specific exercises, a procedure is outlined for finding body concentration and tension in the body. Examples of specific situations and practice practices relate to /Barunka and leaving/, which premiered on April 13, 2017 at the student theater Disk.
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Acting in the Context of Yoga Psychophysical Training
Čižinská, Lucia ; ŠPLÍCHALOVÁ, Kateřina (advisor) ; ADÁMEK, Jiří (referee)
The aim of this work is to investigate the process of acting, specifically during
rehearsing of graduation performance Barunka is leaving in DISK theatre in context
to yoga psychophysical training. The researcher would like to verify how such a
training can help acting and on the contrary how it can limit it. Psychophysical
training can help concentration on the stage and also during the process of
rehearsing performance. Another aim of this work is to discover whether regular
practise of yoga can help with consolidation in circle of public solitude, how to do
these specific exercises as well as how it could work not just in context of introverted
concentration. In this work I will also focus on eventualities of applying yoga during
rehearsals according to exercises applied by Constantin Stanislavsky and Jerzy
Grotowski. In the past, already quite a few people from world of theatre incorporated
yoga. The most important for my experience is C. Stanislavsky and J. Grotowski.
Therefore, this work analyses approach, which they both pursued, as well as which
resources inspired them, and what led them to search for answers in yoga
excercises.
The main contribution consists of an analysis of studies about applying of yoga
during rehearsals and trainings of C. Stanislavsky, J. Grotowski. This knowledge can
be applied during the rehearsal of theatre performance or with individual or colective
actor training.
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The possibilities of creative work in an enclosed theatrical group
Krippnerová, Tereza ; HLAVICA, Lukáš (advisor) ; NĚMEC, Marek (referee)
The main aim of the thesis is to explore the possibilities of creative work in an enclosed group of actors. The essential question to be answered is, how can the actor or the group itself explore and further develop creative potential of the individual or how it can limit development of the acting potential on the other hand. The thesis among others focuses on the obstacles which one needs to overcome, what are some of the rules to follow, in order for this "ecosystem" to work and successfully develop further on. The thesis provides unique insight into enclosed group of actors called Gruppo Jobel, the work within the group is reflected on the background of studies on Prague's DAMU theater acting and supported by wide span of related literature. The outcome of the thesis is mainly the inspiration, which can positively influence actors when studying and practicing the theater plays or can be influential in other creative fields related to theater and acting in general.
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