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Musical culture in Cyprus with a focus on the piano works and piano pedagogy
Nicolaouová, María ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee)
The diploma thesis deals with the Cypriot music culture and mainly focuses on piano education and piano works. The aim of this work was to introduce the main representatives of Cypriot classical music, the music life on Cyprus and the history of piano education until the present day. A part of the work is also a personal research, carried out by a questionnaire, and a didactic and interpretive insight on the fundamental instructive work Kinderlaunen of the Cypriot pianist and composer Nicolas Economou. The work is divided into six chapters, which draw information from accessible literature and mainly from a research made in this field. The six chapters could be notionally divided into two parts, theoretical and practical. The theoretical part deals with the music history of the island by introducing distinctive personalities of the Cypriot classical music and by mapping the music life on Cyprus. Furthermore, this part deals with the Cypriot music education system and the teaching methods in piano education. The practical part contains the analysis and results of the submitted questionnaire and the didactic and interpretive insight on the instructive piano work of the earlier mentioned Cypriot pianist and composer. Keywords: Cyprus; piano pedagogy; music culture; music education; instructive piano...
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Jaroslav Vogel (1894-1970) - artistic profile
Černíková, Lenka
The framework consists of comprehensive dissertation intepretation and sources concerning the conductor, composer, journalist, and organizer of musical life Jaroslav Vogel (1894- 1970). Along with a comprehensive description of the artistic profile, synthesis, and attempt of a critical evaluation, the chapters are structured thematically in this work, with regard to the time sequence. The principal sources were archives and daily newspapers, in which the obtained information was verified and developed. The introductory chapter is devoted to family, education, and the first professional experience indicates the relation between his studies and the genesis of Vogel's future professional direction. The central article is part of the work of the artistically important period in the opera ensemble of the Národní divadlo moravskoslezské (National Moravian-Silesian Theatre) in Moravská Ostrava between the world wars, when its implementation and opera concerts of symphonic music reached a high artistic level, with extraordinary social and educational outreach. The view of dramaturgy and quality opera productions and concerts provide the opportunity to evaluate the significance of his organizational skills and influence on the development of Ostrava music culture. For the first time ever, this paper...
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Musical culture in Cyprus with a focus on the piano works and piano pedagogy
Nicolaouová, María ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee)
The diploma thesis deals with the Cypriot music culture and mainly focuses on piano education and piano works. The aim of this work was to introduce the main representatives of Cypriot classical music, the music life on Cyprus and the history of piano education until the present day. A part of the work is also a personal research, carried out by a questionnaire, and a didactic and interpretive insight on the fundamental instructive work Kinderlaunen of the Cypriot pianist and composer Nicolas Economou. The work is divided into six chapters, which draw information from accessible literature and mainly from a research made in this field. The six chapters could be notionally divided into two parts, theoretical and practical. The theoretical part deals with the music history of the island by introducing distinctive personalities of the Cypriot classical music and by mapping the music life on Cyprus. Furthermore, this part deals with the Cypriot music education system and the teaching methods in piano education. The practical part contains the analysis and results of the submitted questionnaire and the didactic and interpretive insight on the instructive piano work of the earlier mentioned Cypriot pianist and composer. Keywords: Cyprus; piano pedagogy; music culture; music education; instructive piano...
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Music and Musical Culture in the Old Town of Prague 1526 - 1620
Baťa, Jan ; Černý, Jaromír (advisor) ; Horyna, Martin (referee) ; Hulková, Marta (referee)
This disertation is a contribution to our knowledge of music and musical culture in the Old Town of Prague between 1526 and1620. The first methodological chapter, Musical culture of a Renaissance city as a topic, discusses different views on the problem of musical culture in the city, both in domestic and foreign academic literature. This text is followed by a survey of the present state of research entitled Musical Culture in the Old Town of Prague 1526-1620 in the light of present literature. It focuses only on the items that contributed significantly to the topic. The third chapter, Focus on the musical privacy of Prague citizens in the period before the Battle of the White Mountain, opens the main part of the dissertation with the results of newly-undertaken research. It discusses eight concrete samples of inventories and shows the presence of musical scores and instruments in citizens' households and their function in life in those times. The fourth chapter, Musical Culture in the Old Town of Prague 1526-1620 viewed through preserved musical sources tries to focus broadly on those preserved musical manuscripts, that can be attributed to a specific place. The following chapter, The Gradual of Trubka of Roviny, is closely related to the previous one. It is a detailed examination of one of the...
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Music in Czech Movies Made by Milos Forman
Franc, Adam ; Přádná, Stanislava (advisor) ; Klimeš, Ivan (referee)
The thesis deals with a musical aspect in Czech films directed by Miloš Forman. The topic is investigated within a wider context of musical culture of the 1960s as it is focused on analysis of cultural phenomena associated with musical expression which left their impression on Forman's films and participated, to great extent, in specificity of their soundtracks. So the films are not analyzed as separate artifacts, but they are considered as documents affected by the social climate at that time. Common social phenomena which were an integral part of Forman's films are studied such as dancing parties, twist and radio broadcasting. The Forman's cooperation with the Semafor theatre is analyzed as well as how Semafor poetics influenced his films. Jiří Suchý's lyrics and the period hits classified as the medium pop music stream are carefully analyzed as they are an important part of Forman's films. A short outline of the cinematographic context of the 1960s and comparison with films thematically similar help to specify Forman's approach to the music aspect. The collage-like structure of the work highlights a few contradictory trends in pop music of the 1960s whose variety can be seen in Forman's films.
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