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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Authors´ approach to application of microtonality
 Chudovský, Daniel ; KURZ, Ivan (advisor) ; RIEDLBAUCH, Václav (referee)
This diploma thesis focuses on works of different composers across the 20th century in the field of microtonal and micro-interval music. The aim of this thesis is to point out other solutions of this technique based on analysis of composition approaches of Alois Hába and his contemporaries. Systems of tuning relating the most convincingly to the application of micro-intervals into the melodic-harmonic process of music composition are also discussed in this paper. The core of the thesis is an author's explanation of the so called central reapplication based on a specific approach to the use of micro-intervals. The thesis contains an analytical view of two compositions of its author where central reapplication is utilized as one of the possible approaches to implementing micro-intervals into music compositions. The aim here is to define two different ways of thinking about this tone set and to bring at least a partial recontextualization in viewing of micro-interval music.
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DANCE AS A MUSICAL FORM IN THE FRENCH SUITES OF J. S. BACH
 Waldaufová, Marie ; MRÁZKOVÁ, Giedre (advisor) ; BERNOVSKÝ, Vojtěch (referee)
The thesis titled Dance as a musical form in the French suites J. S. Bach thematically follows the bachelor thesis entitled Saraband like a dance in baroque harpsichord literature (with a focus on French Suites by J. S. Bach). It deals with the connection between dance and music form. The first chapter is an overview of the socio-cultural aspects in France during the reign of Louis XIV. Other chapters are devoted to individual Baroque dances, allemande, courante, corrente, gavotte, minuet and gigue. In addition to the history of dance is here described its baroque dancing form, charactical traits and overview of dance steps, which are often preffered in its baroque choreography, then part of the chapter focuses on the transformation of dance forms in stylized instrumental piece.
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