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Collaborative print making
Kejhová, Tereza ; Špirk, Ivan (advisor) ; Velíšek, Martin (referee)
This Diploma Thesis deals with an innovative view of the world contemporary graphics and its roles in the environment of czech schools. It examines printing method of various types of educational institutions - it means didactic, pedagogical, social and psychological characteristics. The knowledge gained in the author verifies the "Garden and everything that belongs to it ". Details: Kejhová, T.: Collaborative print making /Diploma Thesis/ Prague 2012 - Charles University in Prague, Faculty of Education, Department of Art Education, 123 pages. Key words: Graphic Language, Graphic Art, Cooperative Teaching, Collaborative Print Making, Fine Art Cycle, Fine Art Project.
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Culture of industrial, phoptpgraphy and child
Blažková, Františka ; Šmíd, Jan (advisor) ; Raudenský, Martin (referee)
from Bacheor thesis Františka Blažková THE INDUSTRIAL CULTURE, PHOTOGRAPHY AND CHILD červen 2013 In this bachelor thesis is thoroughly described a phenomenon of industrial culture with focus on two main fields: architecture and music scene. These two branches of the topic have the best correlation in the sense of architecture as a prototype and music as a mirrored image of architecture. This thesis is mapping the history if industrial architecture and its connection to history of industrial music. Besides the gathering of data concerning this phenomenon and coming to conclusions based on them this thesis also provides an unbiased opinion of the child observer, which is necessary to complete the image. The age of the children was picked according to their socio-cultural knowledge and none or partial knowledge of the topic of industrial architecture. The research was carried out as a questionnaire with attached creative task, based on the reproductions of the photographs taken especially for this thesis.
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A Book on its way from Manuscript to the Reader
UHLÍKOVÁ, Tereza
This thesis deals with the phenomenon of the book as crucial means of communication of the author (of the artistic and non-artistic) text with the reader. The material object book is examined in detail as a product, goods and object of the aesthetic interest. The work focuses primarily on the following questions: What is happening with the text from the moment of the manuscript submission to the publisher until the moment when is held in reader's hands for the first time? What subjects, institutions or interests are entering (or may enter) the game during the production, distribution and sale of the book and what is their particular role? What is the form and function of graphical and peritextual components of the book? All questions are answered in regard to the current state of Czech literary culture.
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Front-pages and illustrations of the sixfold Bible of Kralice
Keřkovská, Marta ; Royt, Jan (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Front-pages and illustrations of the sixfold Bible of Kralice The Bachelor thesis will be aimed at the illustrations of the sixfold Bible of Kralice published gradually from 1579 to 1596. First of all, the Ivančice and Kralice printing house will be introduced. Its origin and activities will be dealt with. Afterwards, it will be necessary to explain the printing technology which was used by the printers of Ivančice and Kralice in their publications. The thesis will also talk about the printers of the house and their sources of inspiration. Eventually, if the printers' works are identical with these sources they will be compared. The main part of the thesis will be especially focused on iconographic description of the front-pages in particular parts of the Bible. The thesis will also mention Jiří Melantrich's printing house which printed Bibles approximately in the same time as Ivančice and Kralice printing house. The printer will be briefly introduced and so will his published Bible. The end of the chapter will focus on the comparison of the Ivančice and Kralice printing house with Melantrich's printing house. Keywords Key words: Bible, bookprinting, printing house, graphics, iconography, history, Ivančice, Kralice
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Game 3D engine for Windows Phone 7
Slavíček, Tomáš ; Sýkora, Ondřej (advisor) ; Ježek, Pavel (referee)
In this work, we implement a library for easier development of games for the Windows Phone 7 platform. We analyze the environment of mobile phone development and discuss what features should the 3D game engine include. We propose the hierarchy of the project, its components are described and implemented. The engine supports efficient management of objects in the scene. It provides functionality to improve the visual appeal of the games, especially displaying of transparency and shadows. The algorithms are chosen and implemented with respect to the limited performance of the mobile devices. The capabilities of the engine are demonstrated on a sample game project.
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Francesco de Goya: Los Caprichos (The Caprices)
Moučková, Lucie ; Konečný, Lubomír (advisor) ; Prahl, Roman (referee)
The present work Francisco de Goya: Los Caprichos (Caprices) is dedicated to the analysis of the Francisco de Goya's graphical cycle of the same title. The artist, who was influenced by the ideas of his enlightened friends, by the consequences of a disease that undoubtedly changed his perception of the world, the author, who was encouraged by a desire for free expression in art, represents a landmark between traditional and modern Spanish art. Among the contemporary artistic preferences in the second half of the 18th century, we follow the gradual development of Francisco de Goya - graphic artist, its liberation from conventions and his move to the creation which reflects the author's personality and his views of the society. His original and enigmatic graphic work is based on many contrasts: it is technically innovative as Goya uses an unusual technique of etching and aquatints, and it also thematically reflects the ideas of many previous generations. The work is focused the collection Los Caprichos, which not only reflects the views of Goya's Enlightenment ideas, but it also builds on the rich folk traditions and superstitions. Based on studies of selected prints and literature we are looking for links between apparently different topics. The way the prostitution, witchcraft and the donkey figures...
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APPLICATION OF NONLINEAR EDITING METHODS IN TELEVISION NEWSCAST
Bančanský, Andrej ; Lokšík, Martin (advisor) ; Šmíd, Milan (referee)
This work studies the influence that non-linear editing of visual materials and usage of digital news production system have on the final form of news programmes. I also compare these advanced technologies with the older linear editing and analog playout, illustrate it by describing the principles of both methods and explain it on a hypothetical example. Two chapters are devoted to the integration of digital archives and graphics tools. The examined period used for comparison of new and old technologies is the week from 2 to 8 April in 2010 and the same week a decade earlier. The news programme examined is Udalosti on Czech television. The aim is to point out how the technical possibilities can change the workflow and form of newscast, not just in theory but also practically.
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František Tichý and his works in the 1940s
Micka, Alois ; Lahoda, Vojtěch (advisor) ; Wittlich, Petr (referee)
5 ANNOTATION The subject of this bachelor work is the description and presentation of the works of Mr. Frantisek Tichy. The aim is to focus on his works in the 1940s in the context of his peak of technical abilities and the development of spirituality in his works. For the purpose of organization, Mr. Tichy's artwork is classified by the date of the creation and organized accordingly. It is also divided into individual chapters in accordance to the techniques being used. The introduction of this work focuses mostly on the life of Mr. Frantisek Tichy. In particular, much is focused on his education in painting and the influential events in his life that have had an impact on his artwork. Undoubtedly, a large role in his artwork was thanks to his pedagogical role at the Fine Arts University in the 1940s. Much of his artwork also reflected the political situation and social changes of the time. Mr. Tichy did not adapt his works in favour of the principles of social realism and thus also was discharged from the university. The following chapters are devoted to his actual artwork. His artwork is clearly defined into many categories such as: painting, graphics, illustrations, practical artwork and theatre. Throughout his life, Mr. Tichy went through an entire cycle of themes, which he has continued to portray in...
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Street art, stickers and graffiti
Krobová, Karolína ; Šamšula, Pavel (advisor) ; Raudenský, Martin (referee)
This bachelor work is concerned with graffiti and street art. It is focused on these phenomenons, what they are for us, why they appeal and how they influence our culture in the space of graphic design, illustration and the other way around. I try to create my own street art and place it in public space, I show on example of my illustrated book how much I am influenced mysem.
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Personal and family representation of Zacharias of Hradec in the Telc Chateau.
Salava, Jan ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The castle in Telc is one of the few buildings in the Czech republic whose interiors from the second half of the 16th century have been preserved almost unaltered. Owner dominion Zacharias of Hradec had the castle enlarged and its interiors splendidly decorated. The decorations reflect the personal taste of the castle lord. The early designs were taken from a production of Nurnberg workshops. Later the Dutch influence prevailed. The inspiration by the Dutch engravers Cornelis Cort, Frans Huys and Swiss Rudolf Wyssenbach can be traced. Later, but not less important source of inspiration, is book Imagines gentis austriacae by the Italian painter and draughtsman Francesco Terzio. Various crypto-portraits, mainly in the Rooms that were opened to the public, may be attributed to personal representation as well. Another very specific form of representation are the bears who support the coat of arms of the castle lord and his first wife Kateřina of Wallenstain. The bears point out to a legend, according to which the castle lord's family descends from house Ursini, an ancient Italian family. The imperial chamber served for family representation as well. The chamber is decorated with portraits medallions of the roman kings and queens and several unidentifiable portraits. Although I was not able to prove...
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