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Reflections of the Moravian Slovakia‘s folk culture in a High Art and culture of the “fin de siecle“ (it’s institutionalization and manifestations nowadays)
Eretová, Monika ; Malcová, Zuzana (advisor) ; Skopová, Věra (referee)
This Bachelor's Thesis is focused on the mapping of documentation, preservation and presentation of the Moravian Slovakia's folk culture in the late 19th and early 20th century. Activities of many societies, clubs and movements, especially artistic, were results of a huge interest in folkloristic themes in those times. Theoretical part of the Thesis is devoted to the historical background of reflection and presentation of the folk culture of Moravian Slovakia. Institutionalization of this specific phenomenon means its research and displaying by museums, galleries and other mainly ethnographical associations as a try to conserve slowly fading folk culture of this specific region. As a result of this Thesis it is possible to confirm great impact of the historical movements and societies on nowadays ways of preservation and presentation Moravian Slovakia's folk culture. Also many contemporary cultural events and organisations in the Czech Republic are based on these subjects from the past.
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Musician and audience: stage production and reception of Czech traditional music
Vejvoda, Zdeněk
Folk music in Bohemia started to find use as a social and political phenomenon as early as the 19th century, a time known as the Czech National Revival. Whereas Czech folk songs were collected by the thousand, in line with the romanticizing ideas of nationalism then sweeping across Europe, dance music performed in people's everyday lives remained long outside collectors' attention. The development of music folklore performed on stage was largely influenced by two exhibitions held in Prague – the Jubilee Exhibition in 1891 and the Czech-Slavonic Ethnographic Exhibition in 1895. Adaptations and stage presentations were becoming increasingly important research issues. A new impulse came from the inter-war avant-garde, whereas in the mid-20th century, the Czechoslovak Radio adopted a crucial role in the process. All that had a significant effect on the life and work of amateur “folklore” ensembles.
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The poetic of the folklorism. Case studie on the Materiál of the Artistic Group Gaudeamus.
SVOBODOVÁ, Tereza
The objective of this final work is to analyze and describe the process of the transformation of the folklore attributes into the elements of folklorism, using the example the "Svatojánské variace", the program component of the folklore ensemble Gaudeamus. The main focus of the work is devoted to answers of the authors {--} namely the choreographer, the costume and scene designer, the music composer, the director. The questions are not only targeted to achieve the work goal, but are also devoted to sources, which inspire the authors, to their relation to folklore and folklorism, and also to their opinion on folklorism development and changes, mainly after 1989. The work consists of two parts {--} one theoretical, the other coming from practice. The theoretical part includes detailed description and explanation of such terms as folklore and folklorism. The focus is on music, dance, costumes and customs. Source for this part is mainly literature; please find the list of literature at the end of this work. The second part describes Svatojánské variace, the program component of folklore ensemble Gaudeamus. It also contains the mentioned questions and answers of the authors, and conclusion based on them.
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