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Matka coby protagonista v makedonské kinematografii
Nedeska-Trajkova, Verica ; ANGIOLILLO, Mary Carmel (advisor) ; Dudková, Jana (referee)
Pro mne, jako pro budoucí scénáristku, jsou předmětem zájmu především sociální, kulturní a psychologické aspekty, které ovlivňují vývoj filmové postavy. Tato práce se zaměřuje na zobrazování ženy, zejména matky, v makedonské kinematografii. Ženské postavy nejsou dostatečně využívané, ani kvalitně portrétované, a je to jeden z hlavních nedostatků v makedonském filmu. Z tohoto úhlu pohledu zkoumá diplomová práce skutečnost a autenticitu prezentace žen v makedonské kinematografii, s užším zaměřením na zobrazování postav matek. Jako příkladu používá protagonistek ze tří makedonských filmů, které byli ovlivněni, a zároveň i sami ovlivnili makedonské kulturní povědomí. Jsou to filmy: Frosina (1952), režie Vojislav Nanović, Ženata što gi izbriša solzite, (Žena, která si otřela slzy) (2012), režie Teona Strugar Mitevska, a Matky (2010), režie Milčo Mančevski. Tato práce mimo jiné zkoumá jak ženské protagonistky v těchto filmech odpovídají skutečnému a ideálnímu modelu tradiční kultury, jak jsou v budování těchto postav využity prvky pocházející z rozporu Východu a Západu, a jak tyto postavy zapadají do Jungova popisu archetypu matky.
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The (main) character of "secret agent" in the movies "Walking Too Fast" and "The Lives of Others"
Kučera, Luboš ; MAREK, Petr (advisor) ; Hájek, Václav (referee)
Thorough reading and comparison of films "Walking Too Fast" and "The Lives of Others". A dramaturgical analysis and analysis of film language in relation to the themes of the film's approach to the main characters of both dramas. The theme of the work is dramaturgical analysis of the relationship of the main character, the other characters of drama, story and theme (possibly a film language) and mutual comparison with these films. Films show two distinct approaches to film drama, while using very similar historical contexts and the main character with similar external features: (lonely) secret agent or (in)voluntary voyeur oscillating between loyalty to a higher authority and their own emotional compulsion (which is with higher authority in the conflict) and his desire to escape crashing on the cause of its own origin resp. his unbreakable loneliness as a state of being.
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Female character as a "property"
Gáboriková, Lucia ; BENDOVÁ, Helena (advisor) ; MAREK, Petr (referee)
Bachelor thesis is oriented to explore the collective work of director Eric Rohmer, specifically the season in which author starts to create film period - Moral Stories.
Presented thesis describes information about author, French new wave, however attention is aimed on form and structure of Moral Stories. Film The Collector together with analysis of woman character - Haydée are the main link of the work on deal with the gender issue, exploration and analysis of woman component in Rohmer´s film The Collector are supplemented by feministic film theory.
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The Tin Drum - Cild's character as a reflection of a revolt, revolution and war
Příhodová, Tereza ; MUSILOVÁ, Helena (advisor) ; POSPISZYL, Tomáš (referee)
Theses "The Tin Drum - the character of a child as a symbol of revolution, rebellion and war in the film" explores development of a child's character in film. Also in films about the war and revolution. (Go and see ,The White Ribbon, Alice in Wonderland, Threesomes of morals, Long live the Republic, etc ...) The work primarily analyzes the character of Oscar (The Tin Drum) and compares literary text and the movie. At the same time, the thesis further elaborates on the issue of film adaptations of literary works and also raises question of author's own projection into the main character.
Although the focus is primarily on analysis of literary and cinematic form of The Tin Drum, this text also mentiones other key frames, on which different ways of working with child actors are portrayed.
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