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The aesthetic dimension of religious education
BLAŽEK IŇOVÁ, Veronika
This thesis deals with the discovery of common means of expression in the areas of aesthetics and religion, which may be also placed in the lessons of religious instruction. Basic theoretical definition of the field of religious education is devoted to the first chapter, which also provides a reflection of interdisciplinary cooperation, especially in the areas of aesthetics. The second chapter presents a philosophical and historical perspective on the subject of aesthetic science. Trinity closes approaches psychological perspective, focusing on cognitive and religious development of children at school age. This age period is the boundary line of a research problem of this work. The practical part consists of a didactic application of theoretical knowledge, which become an important part of teaching religion, by using alternative methods of work with symbols and aesthetic elements.
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Panel estates: The process of humanisation, revitalisation and its future
Čápová, Lenka ; Heřmanová, Eva (advisor) ; Pek, Tomáš (referee)
This thesis deals with solving the problem of the big phenomenon of panel estates. It describes the circumstances of its rise and tries at least at little rate argue the reasons for its construction. Mainly it tries to solve its up-to-date not really good and sustainable situation. This hangs together also with revitalisation of panel houses. It will be discussed here, if this revitalisation proceeds in wrong or right direction, why it was needed to come up to it and also the question of its funding will be mentioned. The revitalisation is also connected with the humanisation of panel estates, their better appearance and all the positive changes, which occurred here from its inception. Thus, this thesis dwells over the procedures and ideas in this area, over possible solutions, and various opinions in this topic. The future of panel houses is another key topic of this thesis. Their sustainable development and the question of attractiveness for its current and future inhabitants will be discussed here. There is a plenty of panel houses and people living inside, therefore it is more than needed to deal with this issue and to try to find the most feasible solution.
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Conceptualisation of Art: Negation of Form and the Problem of Nature of Conceptual Art.
ŘÍHOVÁ, Monika
The bachelor thesis deals with the problematic aspects of avant-garde, which were amplified and developed in the postwar movement known as neo-avant-garde in visual art, and especially with its conceptual tendencies which represent constant challenge for current aesthetics. Firstly the basis of aesthetic theory of art will be outlined in order to explain and show where the critique of aesthetics by conceptual artists is leading to. Then it introduces possibilities and limits of selected definition strategies, character of the relationship of conceptual art to other types of art and non-artistic activities, especially its approach to the philosophy and science. The key points of this thesis are: What is conceptualism? What transforms the neo-avant-garde pieces of works into art? Can we apply aesthetic categories at conceptualism? In which way does the conceptual piece work as a symbol?
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Aesthetic Distance and Theatre
LOUKOTOVÁ, Veronika
The basic topic of the Bachelor Thesis Aesthetic Distance and Theatre is the explanation of basic characteristics of ?psychical distance? as described in ?Psychical Distance? as a Factor in Art and as an Aesthetic Principle by Edward Bullough. At first, the thesis deals with the distance in general, explains Edward Bullough?s terminology ? the conception of distance, the conception of ?psychical distance?, and the antinomy and variability of distance. Then it concentrates specifically on distance in the art and tries to demonstrate the facts obtained by examples in individual kinds of art. The thesis also contemplates the distance as an aesthetic principle whereby the problems of the ?beautiful? and the ?pleasant? can be explained in aesthetics. Further, this Bachelor Thesis aims at the distance in artistic creation and tries to describe it in one selected kind of art ? the art of drama. The aim of the thesis is to prove that there are several theories of acting, which are extremely different in opinion of distance of actor. The thesis, in concord with the facts gained from Edward Bullough?s text, leans to the theory which is near to the two noted theoreticians of art ? Denis Diderot and Bertolt Brecht. The thesis also aims to give a true picture of their innovative thoughts and views concerning theatre.
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Art and ritual: The Return of art to the ritual
SLUKOVÁ, Tereza
In this thesis, a student (Tereza Slukova) will examine the relationship between art and ritual, and the transformation both of these concepts have undergone. She will also examine their mutual coexistence and interaction throughout the history of Western culture. The student will base her analysis on the possible definition of both of these concepts and she will try to uncover the moments when their mutual interaction can be considered. In a subsequent part of her thesis, she will identify modern efforts to return art to is ritual function and the impact of these efforts on the transformation of traditional ways of creating, presenting and perceiving art.
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Aesthetic Distance in Music and its Manifestations
PROCHÁZKA, Jan
In this work, I will be engaged in aesthetic reception and perception of artistic and also non-artistic objects, which main or ulterior contens is music. Main focus of the work will be observation of transformation of aesthetic distance of subject in dependence on particular types and tendencies of music and their activities and on inner dispositions of subject, too. I will try to differentiate elementary types of music in consonance with considerations of their inner distance and sketch historical origin and evolution of their forms, too. Fundamental task is answer the question, if there is threat of lack of distance in music of modern time in general caused by under-distance or over-distance. As the source, I will use the work of Edward Bullough {\clqq}Psychical distance`` as a factor in art and aesthetic principle.
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Perception of Art and its Practise in the Free Time Activities with Children and Young People
MLS, Pavel
The subject of diploma paper was anallysis of perception children and youth related to visual art. In the first chapter of theoretic part diploma paper I explain definitions related to the subject, i.e. that is fine art, aesthetics, culture, kitsch and relation of this species to the human being. In next chapters I acte problems, definition, delimitation of the odd time and I explain possibilities of transmission visual art to children and young people. The theoretic part of diploma paper is dedicated to possibilities of confrontation children and youth people with the visual art through various cultural institutions. This part of diploma paper is ended with basic dividing of spare-time activitity organizations. The practical part of diploma paper is dedicated to visual art project {\clq}qWho knows Piaristic square``, {\clq}qConversation`` and {\clq}qEntities in the nature``. Visual art expression of subjective experience evoked by visual perception of concrete image is the aim of this project. The project is intended for the children and youth in age between 8 and 24 years. I confront by means of projects both various components of visual art (painting, sculpture and architecture) and various movement epoch (gothic style, baroque and modern style). I wanted find the way how to transmit visual art to children and youth enjoyable, educational with aesthetic value. The end of the diploma paper summaries pieces of knowledge and perceptions from the visual art courses and projects.
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Motivation Towards the Visual Arts via Art Techniques in Free Time Pedagogy
TREJBALOVÁ, Martina
Motivation youth towards the visual arts via art techniques in free time pedagogy. The purpose of bachelor work was analyse by means of young people motivation to positive affinity to plastic art. Theoretic part put brain to explication basic concepts, which be related to work theme. The first chapters I explained bacis consepts, namely conception art, plastic art and aesthetics in human relation to mentioned values. In the next chapters I put mind to guestions of young people, guestions and importance of the free time. The last theme of theoretic part is motivation. Motivation in the concepts definition and motivation youth to visual art activities by means of today`s visual arts projectes. Practical part put mind to the plastic project ,,Colour sensation of music``. The purpose of the project is visual expession of subjective experience, which was induced by the auditory sensation of music. The project is specialised for young people. Now it`s harder motivate them to every activities with the visual activities. So I wanted to find one way to motivate young people to visual activity trough this project. Conclusion of bachelor work summarises knowledges and observations sequence of this visual project.
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Bohumil Markalous / Jaromír John (Contribution to the history of society and culture in the Czech lands of the first half of the 20th century)
ŠKRABAL, Luděk
This dissertation work is biographical study of Bohumil Markalous - Jaromír John (1882-1952). The aesthetician and promoter of culture life Markalous was publishing his literary works since the First World War under the name Jaromír John. Markalous works as professional journalist for daily news Lidové noviny, Právo lidu, Tribuna and for magazines Přítomnost, Naše doba, Magazín Družstevní práce, etc. He founded and was conducting magazine Bytová kultura (1924-1925)and the book edition Ars of the Orbis publisher (1924-1948). Markalous was personal friend of famous european architekt Adolf Loos and popularized his work and thoughts of the Czech environment. At the turn of 1920s and 1930s was Markalous conducting the editorial of a prominent Czech pictorial magazine Pestrý týden and participated on organization of a Prague social club Společenský klub. In the years between 1934-1946 he aimed his work to the literature and after the Second World War accepted the offer to establish department of aesthetics at the newly founded University of Palacký. One year in his life spend Markalous in Germany and France. The personal heritage of Markalous - John is stored in the separate fund of the Literatury archive of the Museum of Czech Literature in Prague. Majority of his literary, journalistic and aesthetic works as well as correspondence was published.
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