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Masculine and feminine view of the Colonial War. (António Lobo Antunes and Lídia Jorge)
Márföldi, Nicole ; Dufková, Vlasta (advisor) ; Grauová, Šárka (referee)
The present thesis, "Masculine and Feminine View of the Colonial War (António Lobo Antunes and Lídia Jorge)" concerns the peculiarity of the masculine and feminine view of the colonial war in Portuguese colonies in Africa. This thesis focuses on two world-wide known novels: Os cus de Judas by António Lobo Antunes and A costa dos murmúrios by Lídia Jorge. The aim is to reveal that the standpoint was influenced by different social status that women and men held in Salazarian Portugal and in the colonial war itself. The introductory section is devoted to a brief summary of the Portuguese history which had a major impact on the contemporary national identity. The era of the Estado Novo, the Colonial War and the Carnation Revolution was outlined. The literary situation in Portugal after the Revolution was also shortly observed. The main part began with the introduction of António Lobo Antunes & Lídia Jorge and listed out their principal writings, concentrating primarily on Os cus de Judas and A costa dos murmúrios. Afterwards the focus turns to the different position of the women and men in the colonial war, comparing how it influenced their respective lives. While Lídia Jorge observes the destructive impact of the war on its surroundings, António Lobo Antunes views the injustice on the personal basis....
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Portuguese Identity and Azorianity in João de Melo's oeuvre
Kolbach, Nicole ; Dufková, Vlasta (advisor) ; Grauová, Šárka (referee)
The diploma thesis examines the oeuvre of João de Melo in view of the fundamental topics of his poetics, namely the tragic sense of life, ancient space-time, ontological metamorphosis of humans and animals, escapes, peculiar religiosity, isolation and imagination, shared marginalization and language distance. The Azoriatity is estimated on the basis of the chosen topics and on comparison with Portuguese identity, and the correlation between center and peripheral areas is analyzed. Abstrakt Diplomová práce se zabývá studiem nosných rysů v díle Joãa de Mela, zejména tragickým pocitem života, odvěkým časoprostorem, ontologickými metamorfózami zvířat a lidí, útěky, specifickou religiozitou, izolací a imaginací, sdílenou marginalizací a jazykovou vzdáleností. Následně jsou tyto rysy klasifikovány z hlediska jejich azořanství, které je nahlídnuto také z hlediska portugalské identity a ve vztahu centra a periferie. Klíčová slova: azořanství, identita, ostrov, moře, sopka, emigrace, koloniální válka
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Masculine and feminine view of the Colonial War. (António Lobo Antunes and Lídia Jorge)
Márföldi, Nicole ; Dufková, Vlasta (advisor) ; Grauová, Šárka (referee)
The present thesis, "Masculine and Feminine View of the Colonial War (António Lobo Antunes and Lídia Jorge)" concerns the peculiarity of the masculine and feminine view of the colonial war in Portuguese colonies in Africa. This thesis focuses on two world-wide known novels: Os cus de Judas by António Lobo Antunes and A costa dos murmúrios by Lídia Jorge. The aim is to reveal that the standpoint was influenced by different social status that women and men held in Salazarian Portugal and in the colonial war itself. The introductory section is devoted to a brief summary of the Portuguese history which had a major impact on the contemporary national identity. The era of the Estado Novo, the Colonial War and the Carnation Revolution was outlined. The literary situation in Portugal after the Revolution was also shortly observed. The main part began with the introduction of António Lobo Antunes & Lídia Jorge and listed out their principal writings, concentrating primarily on Os cus de Judas and A costa dos murmúrios. Afterwards the focus turns to the different position of the women and men in the colonial war, comparing how it influenced their respective lives. While Lídia Jorge observes the destructive impact of the war on its surroundings, António Lobo Antunes views the injustice on the personal basis....
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