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Cinematography of travel and expeditional films
Márová, Adéla ; KOBLOVSKÝ, Petr (advisor) ; HYNEK KRÄMER, Kristian (referee)
Interviews with contemporary Czech and Slovak travelers and filmmakers.
The theme of this thesis deals with the way of searching the knowledge of both,
travel and expedition documentary film in real practice through the interviews with nowadays both Czech and Slovak filmmakers and Travellers.
This thesis contains five interviews with topic of traveling and filmmaking. Its space was found even for reasoning about lifestyle and teamwork.
The talks with the Traveller-filmmakers was very inspirational and full of enrichment for me.
The possibility of to be teached by experienced people, who loves their work and believe its sense, thats what I found very important.
Thanks to this thesis with the theme of Travellers and expedition films,
I steped ahead on a new way, the way with many miles walking, searching, meeting and overcoming myself in all ways.
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Travel Documentary and Travel Show
Potočný, Tomáš ; KUBICA, Petr (advisor) ; GOGOLA, Jan (referee)
This master thesis deals with travel documentaries. It presents the genre's basic definitions and briefly describes its history from the beginning of cinematography up to now, with a special focus on current Czech and foreign TV series. Filming and post-production dramaturgical rules and production limits are described in the case study of television series Na cestě, and their resulting impact on the show's traits is analyzed. The outcomes of television rating and viewer satisfaction measurements are also dealt with; moreover, based on the available data, a viewer profile is outlined, attempting to deduce what his visions and expectations are. As a contrast with TV production, the paper includes two creative documentaries, which characteristics also fit the travel genre: Notebook from China, by Danish director Jorgen Leth, and Šimon Špidla's Into Oblivion. The study compares their style and ways of narration, draws a comparison with series' features, and aims to answer whether or not the conditions of TV series production enable creative travel filmmaking.
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