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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Human Voice Phenomenon in contemporary audiovisual art
 Abrahám, Stanislav ; VOJTĚCHOVSKÝ, Miloš (advisor) ; BLAŽÍČEK, Martin (referee)
This diploma thesis develops the theme of the bachelor thesis: Human voice, artificial speech ? vocal speeech and the context of its representation through technical tools. In bachelor thesis I created a clear structure of concepts and categories of the ways in which people spread their voice speech through Information and Communication Technologies. I also dealt with the nature of the changes that happen to the human voice in the process of its representation. In diploma thesis I apply the theoretical basis of my bachelor thesis when analyzing specific works of contemporary audiovisual art. I reflect the broad contexts of the phenomenon of the human voice in selected artistic concepts through the analysis of practical examples. Key terms are words remediation, phonography, sound installation, performance, artistic concept.
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Authenticity and Memory
 Strnad, Matěj ; VOJTĚCHOVSKÝ, Miloš (advisor) ; POSPISZYL, Tomáš (referee)
The bachelor's thesis "Authenticity and Memory" is concerned with the changing notion of "authenticity" in contemporary memory institutions. Based on an exploration of expert texts, it aims to map the occurrence of the term, apparently a key one in the field of conservation and preservation. The thesis briefly addresses the fields of care for historical monuments, traditional record archives, audiovisual archives and also museum management. The practice of memorial institutions and their understanding of the term "authenticity" are analyzed with regard to the issues of authorities, digitization of collections and ethical grounds on which these institutions base their activities. A special emphasis is put on the area of preservation of media art. The thesis further examines authenticity in the field of media art from the point of view of it's "performativity", while at the same time taking into account the possibility to apply the concept of performativity to other art forms.
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