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Film Cooperative, Version 2.0: Searching for the Form
Reichová, Tereza ; Felcman, Jakub (advisor) ; KUBICA, Petr (referee)
This thesis with the sumptuous working title Film Cooperative, Version 2.0 is the result of my two-year background research for the purpose of establishing a cooperative entity. I proceed from the generally positive perception of present cooperativism abroad but I apply my research on the specific situation in the Czech Republic. Although it is marked by a rich cooperative history during the so called “First Republic,” the current approach to the cooperativist model is rather negative particularly due to the adverse role that collectivization played in the second half of the 20th century.
Therefore I focus on cases from the Czech context, both from the past and present. Since film cooperativism has not yet taken roots in our country, we would be its pioneers. In my work I therefore look for past and present models from other sectors that could help stimulate it. I conclude my thesis by inspiration from alternative models of thinking about the world where finance is not the driving model but a carrier into a better world.
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Vladislav Vančura´s Work as a Dramaturgical Problem
Janál, Zdeněk ; SÍLOVÁ, Zuzana (advisor) ; KUDLÁČKOVÁ, Jana (referee)
This final thesis concentrates on the artistic personality of Vladislav Vančura and on his artistic work, which is primarily evaluated from an inner context and in a continous process, however, a broader context of the society is also followed. The artistic work is summarizingly analyzed from its very beginning, meaning from the ripening of the author, followed by the forming of the author's artistic opinion and his participation in Devětsil, being committed to the society in the antifascist resistance. Further, it is analyzed from the first literature attempts to the masterpieces of prose of his literature, to the self-sacrificing work of the Obrazy z dějin národa českého. This reseach has been lead by the desire to understand some of the contexts of the author's writing and its main structural features, of which, above all, we mention the effort of finding new (not only) literature methods ,and the successfull experimenting, particularly with the possibilities of the language, which lead to the creation of a significant poetic style. This thesis does not omit other artistic forms, which Vančura, with his versatility, was interest in. Vančura was not a solitary artist, but was distinctive and very original, and did not write as if being torn away from the general cultural context. He was quite the opposite by being in its centre. In addition, this final thesis concentrates on the practical dramaturgical activities of its author and analyzes his own work - transforming Vančura´s prosaic work, Markéta Lazarová, into a play,Markéta,dcera Lazarova, which he prepared together with the director Pavel Ondruch to be performed as a graduate´s performance in the Disk theatre. This dramatization does not appear to be the only possible solution of converting Vančura´s novels into a theatrical form, it was created this way due to the concrete theatre conditions and also with consideration of the acting cast, however, with great respect to the original literature and its soul
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