National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
Threepenny Opera in Berlin, Prague and Vienna. The Play by Bertolt Brecht and Its Three Stage Productions
Hagenhoferová, Monika ; Glosíková, Viera (advisor) ; Markvartová, Eva (referee)
This diploma thesis deals with the theatre play The Threepenny Opera by the German playwright Bertolt Brecht. The first part contains a formal analysis and a content interpretation of this literary work. This analysis is used as a basis for the second part of the thesis, which contains the description and comparison of three stage productions of the play in the theatres in three different European capitals between 2007 and 2011. These theaters are: The Berliner Ensemble, The National Theatre in Prague and The Volkstheater in Vienna.
Threepenny Opera in Berlin, Prague and Vienna. The Play by Bertolt Brecht and Its Three Stage Productions
Hagenhoferová, Monika ; Glosíková, Viera (advisor) ; Markvartová, Eva (referee)
This diploma thesis deals with the theatre play The Threepenny Opera by the German playwright Bertolt Brecht. The first part contains a formal analysis and a content interpretation of this literary work. This analysis is used as a basis for the second part of the thesis, which contains the description and comparison of three stage productions of the play in the theatres in three different European capitals between 2007 and 2011. These theaters are: The Berliner Ensemble, The National Theatre in Prague and The Volkstheater in Vienna.
Institutional and economic analysis of development of the National Theatre in Prague after 1989
Žilová, Šárka ; Doležalová, Antonie (advisor) ; Riedlbauch, Václav (referee)
The diploma thesis deals with the issue of proprietorial and institutional connection of five stages and four ensembles of the National Theatre in Prague, which is a contributory organization of the Ministry of Culture Czech Republic. The thesis introduces a cultural policy in general terms and explains development of the National Theatre until 1989. The main point of the thesis is the institutional and financial analysis, the thesis aims to evaluate the consequences of changes in the methods of administration of each stage of the National Theatre, especially merging and splitting stages and ensembles after 1989. The analysis focuses on the founder's contribution, thus demands on public means, but also takes into account visit rate, percentage of self-sufficiency, number of performances, development of revenues, etc. Finally, the thesis presents a model of functioning of national theaters and opera houses in France and in the United Kingdom, and their comparison with situation in the Czech Republic, focusing on the method of financing.
Philantrophy and financing of the theatres
Blahová, Natália ; Doležalová, Antonie (advisor) ; Ježek, Tomáš (referee)
This thesis deals with financing of the National Theatre in Prague, with the attention to voluntary philanthropic sources of its income. The National Theatre is a symbol of Czech national identity and commitment. According to legend, its origin is associated with a philanthropic tradition that has continued almost uninterrupted throughout his whole existence. Verification of the philanthropic tradition is the main aim of this thesis. It also examines revenues, expenditures and deficits of the theater. Thesis is trying to find out the volume of revenue from its own activities and from public budgets, which concludes the percentage of self-sufficiency. It focuses on the presence of patrons and the amount of voluntary contributions to finance the total cost. Thesis also seeks to capture the economic, institutional and political development of the theatre. Finally, determine the common and different tendencies of development.

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