|
|
A comparison of copyright protection of authors and performing artists
Martinka, Marek ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
A comparison of copyright protection of authors and performing artists The aim of this thesis is to compare the legal regulation of the authors' rights in their works and the performing artists' rights in their performances as it arises from the Czech Copyright Act. I have chosen this topic because it requires profound study of the Copyright Act, good understanding of most of its provisions and their analysis. In my opinion, this kind of research could be very useful in my upcoming profession. Besides it seems to be quiet an actual theme, as for example the term of protection of these rights is largely discussed of late. The structure of this paper is following. The first three chapters are introducing the main characteristics of the authors' and performing artists' rights, their development and the main sources. Other chapters are dealing with the comparison of the protection itself. I examine the aspects I consider to be crucial. It is the subject of the rights, the object, moral and economic rights, the criterions of the protection, the contractual and non-contractual obligations and the term of protection. Two final chapters are focused on the collective management and the infringement of copyright. It can be concluded that the protection of the performing artists' rights is a bit weaker. It is...
|
|
|
A comparison of copyright protection of authors and performing artists
Šímová, Jiřina ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
1 A comparison of copyright protection of authors and performing artists Abstract The main objective of this thesis is to provide the reader with a complex overview of the rights of authors and performing artists including the tools of their legal protection as well as a comparison of their rights. The thesis is divided systematically into eleven chapters that includes introduction and conclusion. The first chapter includes introduction which provides information about objectives of this thesis. The main purpose of the second chapter is to define rights of authors and performing artists in the system of law including description of basic aspects mutual to both groups of rights. The third chapter deals with sources of international, European and domestic sources of law regulating these rights. In the fourth chapter I pay attention to characterize the terms author's work and artistic performance, i.e. objects of the rights of authors and performing artists and their defining characteristics. In the fifth chapter I focus on characteristic of subjects of these rights. The sixth chapter deals with the subject matter of these rights, i.e. moral and economic rights that belong to authors and performing artists to their author's works and artistic performances. The seventh chapter focuses on the license agreement,...
|
|
|
A comparison of copyright protection of authors and performing artists
Martinka, Marek ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
A comparison of copyright protection of authors and performing artists The aim of this thesis is to compare the legal regulation of the authors' rights in their works and the performing artists' rights in their performances as it arises from the Czech Copyright Act. I have chosen this topic because it requires profound study of the Copyright Act, good understanding of most of its provisions and their analysis. In my opinion, this kind of research could be very useful in my upcoming profession. Besides it seems to be quiet an actual theme, as for example the term of protection of these rights is largely discussed of late. The structure of this paper is following. The first three chapters are introducing the main characteristics of the authors' and performing artists' rights, their development and the main sources. Other chapters are dealing with the comparison of the protection itself. I examine the aspects I consider to be crucial. It is the subject of the rights, the object, moral and economic rights, the criterions of the protection, the contractual and non-contractual obligations and the term of protection. Two final chapters are focused on the collective management and the infringement of copyright. It can be concluded that the protection of the performing artists' rights is a bit weaker. It is...
|
guest ::
