National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Josef Kořenský's around the world journey in the context of contemporary literature
NOVÁKOVÁ, Anna
In 1893-1894 Josef Kořenský made a journey around the world, the description of which he published shortly after his return. The thesis will focus on the analysis of the literary nature of the travelogue, attempt to place it in the context of contemporary literature.
Modification, or controversy? Svatopluk Čech's Parnassian satire.
ŽAK, Pavel
The work aims to analyse and interpret the Czech satirical output of the second half of the 19th century considering the so called Parnassianism. Following the work Concepts of Satire in the National Revival Literature, the first part introduces the genre of satire, its origination and forming during the literary history, then the concept of Parnassianism is worked out together with its current state of research. In the second part, the initial premises are confronted with the results of the studies of the particular works in which the poetics and the literary genre are implemented. The attention is paid to the pieces written by S. Čech: poems Evropa, Hanuman and Šotek and three prosaic texts with the main character called Matěj Brouček - Pravý výlet pana Broučka do Měsíce, Nový epochální výlet pana Broučka, tentokráte do XV. století and Matěj Brouček na výstavě.
Key thems of Parnasist and Decadent lyric poetry in the Czech Literature
ROLNÍKOVÁ, Eliška
The subject of this thesis is a characterisation of key motivic units in lyrical works of Jaroslav Vrchlický and Jiří Karásek ze Lvovic, thus it explores Czech parnassian and decadent poetry of the end of 19th century. It observes and traces literal, esthetical and thought shifts of both authors from the aspect of various motives usage. The thesis is divided into five chapters, each of them dealing with one specific motivic unit. The chapters are: 1. Motives of woman, body and sexuality. 2. Motives of dream, imaginary and escape. 3. Motives of dying, disease and decay. 4. Motives of depressiveness, grief, bitterness and vanity. 5. Motives of nature and landscape. Each chapter compares these motives, examines their usage by both authors and looks at how their form and expression undergo a process of certain changes. It also focuses on those motives that appear as completely new elements in their poetry. The conclusion provides with brief summaries of all chapters and a short look through frequency word dictionary of relevant volumes of poems.

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