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Otakar Zich's The Aesthetics of Dramatic Art and the issue of inner-tactile perception
Bezděk, Ester
;
Kaplický, Martin
(advisor) ;
Dykast, Roman
(referee)
This bachelor thesis is primarily focused on Otakar Zich's theory of Dramatic art. The first part, which is the main part of this work, deals with Zich's approach to drama in general, localising the thought of inner-tactile perception afterwards. Inner-tactile perception is presented as a crucial part of Zich's theory. Not only it is a part of the process of creation, but also of perception of drama itself. The second part of this thesis is an addendum to Otakar Zich's theory. This part is a response to Zich's thought of inner-tactile perception in current aesthetic theories of proprioception. In context of several aesthetic theories it is shown what proprioception is and what role it plays in aesthetic situation. It also reveals a relationship to Zich's inner-tactile perception. Powered by TCPDF (www.tcpdf.org)
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The Role of a Text in Dramatic Art.
DEMETER, Peter
The present BA thesis focuses on the role and the nature of a text in dramatic Arts and the relation of a dramatic text and a theater performance. Its aim is to demonstrate the place of dramatic text in the structure of dramatic Arts and important meaning of stage directions. The method of comparison is used in this BA thesis to introduce dramatic Arts in the context of czech aesthetics and semiotics of theater.
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Ahead of its Time, or Small Visions Czech Folkloristics
Tyllner, Lubomír
The term vision has been understood differently, depending on its users, from artists, an politicians, to businesspeople. Visions used to be quickly overcome, or even unfulfilled. Some visions which wereahead of their time were used in research and scholarship corcennig Czech music as well (Regional Collecting Project 1819, Otakar Hostinský, Ludvík Kuba etc.).
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