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Lorca's "impossible" theater: El público (The Public)
Byronová, Lucie ; Vydrová, Hedvika (advisor) ; Sánchez Fernández, Juan Antonio (referee)
The bachelor thesis deals with the play by Federico García Lorca, The Public (El público). The author characterised the work, together with several other plays, as the "impossible theatre" because it was too unconventional to be represented on stage. The object of the thesis is to discover and analyse the aspects of The Public which are connected with its impossibility and subsequently to demonstrate its uniqueness and originality. The topics of love and theatre are essential in the play. However, in contrast to other Lorca's dramatic works, The Public deals with homosexual love which is socially inacceptable and thus produces an internal conflict in the majority of the protagonists. The problematics of the theatre is a subject of conflict too; the urge to renovate the dramatic scene encounters the fear of the possible negative reaction of the audience. The plot of the play thus develops on the personal and on the social level in the same time while the both levels meet in the central motifs of the play, such as the theatre beneath the sand and the open air theatre or the mask. The thesis attempts to interpret these motifs and subsequently to emphasise the richness of meanings in the play. Attention is paid also to the image of audience in the drama and to the manner in which Lorca applies the...
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Criticism of Social Conditions in the Drama of F. G. Lorca, A. Casona, R. Alberti and M. Mihura
Lukešová, Alice ; Sánchez Fernández, Juan Antonio (advisor) ; Mathé, Lukáš (referee)
This thesis is concerning four playwriters: Lorca, Casona, Alberti and Mihura. Although it is not common to discuss them together, selected authors were born, grew up and started to write their plays in the same period, influenced by the very same events. Thus they use their works to reflect the same social issues. Every author expressed his criticism by specific forms: tragedy, absurd comedy, avant-garde or poetic theater. The variety offered in their works enables to illustrate the society from different points of views, which can hence capture it as a whole. Fancy and interpretation differ widely among people, therefore criticism expressed through various forms, is supposed to interest a wide range of persons.
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Lyrical elements in Lorca's theatre - (Bodas de sangre - Bloody wedding)
HERMAN, Alexandr
Herman, Alexandr. Lirical elements in Lorca´s theatre - Bloody wedding. České Budějovice: Pedagogická fakulta Jihočeské univerzity v Českých Budějovicích, 2011, 103 s., Diploma thesis. This diploma thesis presents lyrical elements in teatral work of Federico García Lorca. Author himself belogs among top members of an avantgarde movement in Spain. His dramas are up to now very often shown at the most prestigious theatre house in the world, his poetry, very often explained in new interpretation, absorbing an echoe of the folk lyric. The author was bor in the year 1898, year that ment withdrawal from its ancient position. This new situation is reflected at a new actitude towards an art and Spain. This work is divided into three parts.
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