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Dialogue between illustration and animated movie
TONKOVÁ, Magdalena
The diploma thesis Dialogue between the illustration and the animated film consists of two parts, the theoretical and the practical one. The theoretical part deals with illustrations and with selected illustrators of the 20th-21st century in Bohemia, who worked and created in a short animated movies. The main chapter will be therefore devoted to Jiří Trnka, Adolf Born, Jiří Šalamoun and to Jan Švankmajer. The practical part follows the theoretical one and its goal is the artistic processing of illustrations. They might be used in the preparation of an animated film.
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The Guide to the pitfalls of daily objects
DOČKÁLKOVÁ, Veronika
The bachelor thesis "The Guide to the pitfalls of daily objects", consists of two parts, theoretical and practical. The theoretical part deals with the life and work of Jan Švankmajer, and the directions that determine his work. The practical part is devoted to the creation of a book that serves as a guide to cuisine for children of preschool or younger school age.
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Haptic diaries
ŠTĚCHOVÁ ŽÁKOVÁ, Marie
These theses attempt to sketch the notion of touch in relation to art and everyday life. The first chapter deals closer with the sense of touch phenomena, introduce and characterize the touch communication, deals with creative types according to Viktor Lowenfeld, talks about haptic, art and touch. Later we introduce various types of diaries, psychological aspects of keep diaries and we also deal with diaries and taktilism relations. Third chapter has practical orientation and describe the meaning of haptic diaries. Last but not least it introduces particular haptic objects ? asamblages through the form of free associations. There are together 7 haptic objects created as a part of this theses.
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The journey into the depths of Švankmajer's art creation
RYBÁŘOVÁ, Adriana
The Bachelor thesis discusses the work of Czech artist, animator and director Jan Svankmajer and the possibilities of interpretation of his work. At first the thesis deals with a problematic issue of artistic (surrealist) interpretation of work according to psychoanalysis, with regard to the development of the discipline. Further the thesis monitors selected aspects of artistic creation due to the work of Svankmajer. The theoretical models are applied in the next part of the bachelor thesis, during the analyzing the movies of Jan Svankmajer and its central themes penetrated whole his creation. The study aims to find, if possible, an adequate method of interpretation and insight into the creation of a particular artist-Jan Svankmajer (with the emphasis on the differences of view on the work of acclaimed artists against the creation of a layman or a client in the therapy) in accordance with the point of view of Rožnov school of art-therapy.
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